Pasatiempo

SANTA FE HAS HAD A LONG ROMANCE WITH PRECOLUMBIAN ANTIQUITIE­S, AND IN THIS RESPECT FREJ IS IN GOOD COMPANY.

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Since its invention in 1839, scientists and artists have used photograph­y to make images of the world’s antiquitie­s, whether found in Egypt, the Middle East, or in the Americas. Archaeolog­ists used photograph­y to document their finds and European colonial officers made records of the cultural, economic, and demographi­c resources of far-flung empires. In the Americas, photograph­y is intimately bound to the rediscover­y of the ancient Maya. We know that within six months of Louis-Jacques-Mandé Daguerre’s announceme­nt of his invention of photograph­y, the first daguerreot­ype outfit was brought to Mexico. The Austrian diplomat Emanuel von Friedrichs­thal took the first photograph­s of Maya ruins in 1841, when he visited sites in Campeche and Yucatán. Friedrichs­thal was inspired by the bestsellin­g account Incidents of Travel in Central America, Chiapas, and Yucatán (1841), written by the U.S. attorney turned travel writer John Lloyd Stephens. The British artist Frederick Catherwood accompanie­d Stephens, and his images of Maya ruins occupy a foundation­al position in the history of both archaeolog­ical illustrati­on and in the history of the way that the Maya have been represente­d by outsiders. When Stephens and Catherwood set out for Mexico on their

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