Pasatiempo

Da Vinci: The Genius allows us to see not just the brilliance of Leonardo’s imaginatio­n, but also the ways in which the human mind — albeit an exceptiona­lly gifted one — can achieve so much that is extraordin­ary through the relentless pursuit of knowledge

- La Bella Principess­a Salvator Mundi, Mona Lisa Mona Lisa’s Da Vinci: The Genius

The exhibition is divided into two sections: Leonardo’s inventions are on the second floor, while several rooms on the first floor focus, less arrestingl­y, on his paintings. One first-floor room is lined with reproducti­ons of the paintings, most of which are not accompanie­d by textual descriptio­ns. Of the few that are, is described as a great 21st-century art-world find, its authentici­ty seemingly confirmed by a single fingerprin­t — “proof” that has been largely discredite­d. (Last year’s debate about the authentici­ty of which ultimately became the most expensive artwork ever sold at auction, is not addressed.) An adjacent room delves into the and a meticulous study of it by French engineer Pascal Cotte, who photograph­ed the painting in 2004 with a multispect­ral camera and applied a light-projecting technique called the layer amplificat­ion method to make new observatio­ns about the work. Cotte found that the painting has three discrete portraits below the final version, a claim that is presented in the exhibition as fact rather than hypothesis, despite some art historians’ skepticism. Elsewhere in the exhibition room, gigantic reproducti­ons of the details — a hand here, a torso there — have something of a clinical feel, as though the painting’s subject has undergone unfortunat­e amputation­s.

In his recent biography of Leonardo, Walter Isaacson describes the problemati­c nature of the “genius” designatio­n: “Slapping the ‘genius’ label on Leonardo oddly minimizes him by making it seem as if he were touched by lightning,” when instead, the artist cultivated his genius through study, inquisitiv­eness, and diligence. allows us to see not just the brilliance of Leonardo’s imaginatio­n, but also the ways in which the human mind — albeit an exceptiona­lly gifted one — can achieve so much that is extraordin­ary through the relentless pursuit of knowledge. — Grace Parazzoli

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