Pasatiempo

The Final Year

THE FINAL YEAR, documentar­y, not rated, Violet Crown, 3 chiles

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There’s something almost quaint and anachronis­tic about the spectacle of a White House full of dedicated, idealistic public servants agonizing over the fate of the world, earnestly trying to make it a better place. It takes you back to another era, long ago. Two years ago.

Greg Barker’s documentar­y takes you inside the West Wing, and on the road, with the Obama administra­tion as it completes an eight-year run. The focus is on the foreign policy team, and the principal players are UN Ambassador Samantha Power; Secretary of State John Kerry; speechwrit­er and deputy national security adviser Ben Rhodes; National Security Adviser Susan Rice; and the man himself, President Barack Obama.

The West Wing passages give the sense of the intimacy, bordering on claustroph­obia, of those offices — “It’s a very small place,” says Rhodes, and at one point we find him huddled away in a monkish basement cell for a little privacy as he labors over a speech. Barker follows his protagonis­ts around the globe — to treaty signings, to the UN, to African villages. We see Power, an Irish immigrant, shed a tear as she welcomes a new crop of citizens, and Rhodes gazing pensively out over the Havana shoreline. We see Obama make the first presidenti­al visit to Hiroshima.

There’s success, and there’s frustratio­n. Attitudes among the team are mostly positive (“If I wasn’t an optimist,” Kerry muses, “I wouldn’t be able to do this job.”). But there’s the occasional bit of conflict — a dustup between Rhodes and Power (reported, not seen) erupts over the optimistic tenor of a valedictor­y Obama speech, and there is anguish over global warming, the fate of the Boko Haram captives, and the knowledge that the team has very little time remaining to accomplish the things they would like to get done.

There is the comfort of knowing that they will be handing over the reins to Hillary Clinton. Rhodes allows himself a condescend­ing smile when asked if Trump has a chance of winning. And then comes the film’s most devastatin­g passage. The festive atmosphere as the loyalists gather to watch the returns on election night turns to a mounting sense of disbelief and horror. Rhodes, the phrasemake­r, stammers as if punched in the gut: “I ... I, I ... I can’t. I can’t ...” Long, long pause. “I can’t put it into words.”

The Final Year can only be viewed through the prism of our knowledge of Trump’s victory, and the course thus far of his presidency. A documentar­y that was undertaken as a paean to the Obama legacy and a celebratio­n of principled democracy ends on a note more disturbing than The Texas

Chain Saw Massacre. — Jonathan Richards

 ??  ?? Waning light for the Dream Team
Waning light for the Dream Team

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