Mount & Blade II
Getting rich quick in the medieval sandbox
Instead of graphical fidelity, Mount&BladeII promi ses freedom
How do you have so much money?” asks the Mount & Blade II booth manager at Gamescom as I end my session. People trafficking, my good man. I made thousands fighting bandits and selling prisoners. A guy paid me for neutralizing the bandit threat as well, and I stole some armor for myself. I’m making money all the way down this chain. It’s refreshing to be dropped into Mount& BladeII’s medieval sandbox with no objectives whatsoever. There are no arch demons to thwart, or evil kings to overthrow. I’m free to quest for riches and better pants instead.
You can hire warriors and fight alongside them in third-person battles, and as a mercenary you’re free to take jobs with any town vendors you fancy. You can enter towns and wander up to a quest-giver, or pick them from a menu to save time. As you complete jobs they will like you more and you can hire more advanced warriors. Soldiers level up after battles and evolve into better troops over time.
The sequel looks a lot better than the first game, but it’s still endearingly low-fi compared to modern RPGs with a similar tone like KingdomCome:Deliverance. Instead of graphical fidelity, Mount& BladeII promises freedom. You move between towns on a map of Calradia that feels like a JRPG world map. Roaming warbands are represented as lone soldiers or horse riders. Traders zip between towns like little board game pieces. If you stand still, the sandbox busily swarms around you.
There isn’t time to dig into Mount& BladeII’s most ambitious features. Eventually you can go to war with entire armies, and lay siege to castles in massive battles. In the beginning you’re just another citizen. I could have entered some tournaments to win money and favor in duels, or I could have allied with the criminal factions in town. Instead, I played as a roaming enforcer helping the local militia to fight off bandits.
Combat will be very familiar to Mount &Blade:Warband players. From horseback I hold the mouse button to wind up a strike and then release at just the right point to cleave the enemy. The horse’s momentum factors into the power of the blow, which guarantees a kill if I chop roughly in the head area.
Turning Medieval
Fighting requires careful cursor control because blows don’t track or lock on to targets. You can move your body angle and feet as you swing to make sure you connect. As the enemy swings at you, you adjust your body angle to make sure the blow misses or lands on your shield. The flailing and disconnected leg movements make the fights look and feel desperate, but there’s skill to it, and the wide array of weapons, shields, and armor create meaningful variation between troops. Your units fight in gaggles that you can direct, to an extent, with commands. Fights are nonetheless quite haphazard, as you might expect from a rabble of bandits and hastily assembled militia fighters.
There are a lot of amusing little moments. When you win a battle by routing or killing the enemy, everyone in your ragtag army stops and cheers as though they’ve just won a soccer match. I went into town to meet up with some criminal types in a back alley. I found both staring at a brick wall. When I questioned them they gave me the exact same paragraph of dialogue about being loyal to their gang leader. Mount&Blade has always been a bit wonky, but that’s part of its appeal, and the sequel shows a strong commitment to player-driven stories in a bustling sandbox world.