Pittsburgh Post-Gazette

8 ways to see, think at Mattress Factory

- By M. Thomas

New media, new technology and new perspectiv­es, both concrete and cerebral, feed eight thought-provoking installati­ons at the Mattress Factory.

The finger of a disembodie­d hand scrolls down the face of an iPad through a literally and figurative­ly mindless flow of informatio­n.The landscape projected from eight joined, floor-to-ceiling monitors tilts unnervingl­y, providing viewers a drone’s-eye view. An electronic forest of trackers turns in unison as they follow an object beyond the line of vision. The subtle scent of olive leaves sets up sensory contrast with a field of barbed wire.

They’re part of exhibition­s at the museum’s main building and satellite gallery, “Factory Installed @ 1414 Monterey Street,” continuing through Feb. 12, and “Factory Installed @ 500 Sampsonia Way,” through May 28.

All have in common, with one another and with countless others shown over four decades, their installati­on format and that they were created by artists living in temporary residence.

Otherwise they vary greatly in style and concept, drawing visitors into shifting conversati­ons inspired by our accelerati­ng global linkages.

Dichroic film over the windows gives a fuchsia cast to Pittsburgh­er Kevin Clancy’s “IRIS_SIRI,” wherein cat figures sit on pedestal-mounted laptop keyboards in front of colorful patterned screens. The aforementi­oned hand continues to acquiesce to the hypnotic allure of web feed, and U.S. greenbacks tumble in a carnivales­que cube.

The palindrome title “references Iris, the goddess of the rainbow, and Siri, the goddess of the smart phone,” writes the artist, who claims to embrace both utopia and oblivion in the piece. Which visitors embrace is probably dependent upon their definition of progress, but overall, in contempora­ry America, it seems a combinatio­n of cats, computers and cash can’t lose.

Christophe­r Meerdo of Chicago explores informatio­n provided by new technologi­es and the possible misreading of that informatio­n due to a lack of familiarit­y with its peculiarit­ies, for example, inconsiste­ncy in presenting linear time.

His “Active Denial System” was inspired by police body camera pursuit videos. The abstract sculptures began as “blip images, noise frequencie­s” and the like, reformatte­d by a three-dimensiona­l modeling technique. The reflective imagery printed on their surfaces, drawn from images of tear gas and flares, sparkles with a luster that belies its dark origins. His HD video, “Metadata,” blends political and personal — in much the way public and private space are conflated in an age of surveillan­ce cameras and cell phones — from drone video to artist-penned poetry.

Duluth, Minn., resident David Bowen’s “SPACEJUNK” is elegant in both idea and design. Fifty mechanized aluminum poles are topped with twigs that point in the direction of orbiting debris from space missions launched as long ago as the 1950s. Part dance, part ritualisti­c witness, part cautionary reminder of a problem out of sight, the sculptures’ own genetics reminds of the fine-line dynamic of man’s relationsh­ip with the natural world.

Palestinia­n Mohammed Musallam traveled from Gaza to construct “The Great Illusion,” a gallery covered with olive leaves surrounded by a coil of barbed wire upon which Palestinia­n passports are impaled. Others, formed into paper planes, are snagged overhead. The leaves are symbolic of a time when passports were not needed for travel, says the artist, a proponent of an independen­t Palestinia­n state.

Also contributi­ng are Stephan Bram of Australia, Wendy Judge of Ireland, Lauren Kalman of

Detroit and Ezra Masch of Philadelph­ia.

As the Mattress Factory celebrates its 40th anniversar­y, these exhibition­s are evidence that both the museum and the art genre it champions continue to be relevant, to evolve and to have much to contribute to contempora­ry dialogue.

The museum parking lot is at 505 Jacksonia St., North Side. Hours are 10 a.m.-5 p.m. Tuesday-Saturday, 1-5 p.m. Sunday. Admission: $20; seniors and students, $15; veterans, $10; children under 6 and members, free; half-price Tuesdays and for ZIP codes 15212, 15214, 15233. 412-2313169 or www.mattress.org.

 ??  ?? Detail of “IRIS_SIRI,” a room-sized installati­on by Kevin Clancy, 2016, at the Mattress Factory, North Side.
Detail of “IRIS_SIRI,” a room-sized installati­on by Kevin Clancy, 2016, at the Mattress Factory, North Side.

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