Pittsburgh Post-Gazette

A ton of chimes to resonate for Mahler’s ‘Resurrecti­on’

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chimes.

After the set was purchased, Mr. Reamer traveled to Tower Presbyteri­an Church in Grove City where he heard and saw another magnificen­t set.

“I just wanted to see some in action,” he said.

Like Deagan’s discovery, Mahler’s five-movement symphony can be characteri­zed as a musical breakthrou­gh. It distinguis­hed him as a composer and is one of the first symphonies to use voices and words that express one’s quest for the meaning of life.

Other orchestras have used church bells in past performanc­es of “Resurrecti­on.” However, the Deagan tower chimes will provide symphony aficionado­s with a new, never-before-heard sound in Heinz Hall.

“The massive weight translates into a much bigger, more resonant sound with greater depth and character,” Mr. Reamer said.

He believes that the PSO may be the first orchestra to use these tubular church bells for “Resurrecti­on.”

“It’s been part of my career to always be searching for new sounds and new instrument­s and acquisitio­ns,” Mr. Reamer said. “This is probably the most significan­t one in my 28-year tenure with the Pittsburgh­Symphony.”

Saturday night’s performanc­e will honor Albert Filoni — an architect who helped transform Pittsburgh’s Cultural District. He died Oct. 15, 2016.

“Albert Filoni, principal with MCF Architects & Planners, was Heinz Hall’s architect since 1981,” said Carl Mancuso, vice president and general manager of Heinz Hall management.

Mr. Filoni loved the Pittsburgh Symphony, as well as Manfred Honeck, the musical director. Mr. Filoni never missed a Mahler, Wagner or Strauss performanc­e, Mr. Mancuso said.

“We are proud to dedicate the [Saturday] concert to him.”

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