Pittsburgh Post-Gazette

The fabric of America

Confederat­e monuments are painful reminders of America’s slave past. Today’s uproar over them is part of our tradition of debate, says ANDREW E. MASICH, while our national loom may require some retooling

- Andrew E. Masich is president & CEO Senator John Heinz History Center.

Slavery was the root cause of the American Civil War. In fact, the inhumanity of slavery has been the cause of civil strife around the world for millennia. It takes the passage of time through generation­s to undo its pernicious effects. Here in the United States, we still live with its legacy. Issues of power and dominance, racial inequality and intoleranc­e haunt us still and threaten to pull apart the fabric of our nation — a union that many had supposed permanentl­y knitted together.

It should surprise no one that recent protests and counter-protests focused on Confederat­e monuments have revealed the many knots and flaws in the weave of our national character and Constituti­on-woven in as compromise­s by the founding generation. Succeeding generation­s attempted to amend or rationaliz­e the inherent contradict­ion of slavery embedded in the Constituti­on. Their patchwork fixes resulted in something neither true to the nation’s principles nor sustainabl­e over the long run.

Rebellion and civil war inevitably came. “All knew,” Abraham Lincoln said in 1865, that slavery “was somehow the cause of the war.” Historians agree that slavery was at the heart of this conflict, but if one could go back in time and randomly interview Northerner­s and Southerner­s, white and black, about why they were fighting you would receive answers ranging from “freedom” to “Union” to “States Rights” to “equal rights” to “cultural survival.” It is likely that you would receive as many different answers as you would if interviewi­ng an equal number of people about the Confederat­e monuments controvers­y and civil unrest today.

It is altogether fitting that we should engage in debate over the rights and protection­s promised by our republic of united states nearly 250 years ago. In 1776 the world began to awaken to the dream of liberty and democracy. It is somewhat surprising that the current retrospect­ion and controvers­y over monuments honoring rebels did not occur during the recent 150th anniversar­y (2011-15) of the Civil War, while our first AfricanAme­rican president occupied the White House. Deemed too politicall­y charged, no national sesquicent­ennial commission was empaneled and serious discussion of the war’s causes never took place. Perhaps the recent events are a delayed reaction or maybe a new generation is finally awakening to its history.

An understand­ing of our history is key to making sense of our past and making plans for the future. While the first American rebellion (1776) began with the pulling down of King George’s statue, the second rebellion (1861) saw the striking of the Stars and Stripes of the United States. The rebels, believing themselves to be continuing the traditions of their fathers, reconstruc­ted the flag by resewing the stripes of red, white, and blue as the Stars and Bars of the Confederac­y.

In both rebellions, citizens took to the streets and the rule of law was swept aside in favor of revolution. This is how it has worked for thousands of years when people feel disenfranc­hised or oppressed. Even Thomas Jefferson believed, “A little rebellion now and then is a good thing, and as necessary in the political world as storms in the physical.” Let’s hope our society has sufficient­ly

matured so that we can avoid the violence that is often the companion of change.

The Civil War ended slavery and resulted in constituti­onal changes that supposedly guaranteed rights to all men (it would take another, less violent, revolution before women would be included) but did not end injustice to those formerly enslaved African-Americans and their descendant­s. The people of the South who supported the Confederac­y lost the war that killed or maimed more than a million and resulted in untold suffering among the civilian population, black and white, North and South.

A pall of despair settled over the South — where nearly every major city had been a battlefiel­d. Hoping to reunite the country, Lincoln said, “let ’em up easy.” He understood the need for a proud people to save face. Robert E. Lee shared Lincoln’s desire for peaceful reconcilia­tion. Lee hoped to rejoin the union of re-united states and advised his countrymen against raising monuments or other displays of defiance. The beaten South remained relatively peaceful, but when the occupying armies withdrew, resistance grew anew. Perhaps let up too easy, Southern states passed “Jim Crow” (a racist stereotype from the prewar years) laws ensuring segregatio­n and inequality under the guise of “separate but equal” policies.

Some 50 years after the war, in both the North and South, there was a resurgence in interest in memorializ­ing the Civil War generation. No doubt many statues and monuments were politicall­y motivated or supported by organizati­ons with political agendas. One hundred years after the war, white America once again turned its attention to the conflict, though with a decidedly conciliato­ry point of view. Books, films, re-enactments and still more monuments proliferat­ed. In these memorials, the role of slavery was often left out of the Southern narrative of the “Lost Cause.”

Southern historians lionized Lee as a paragon of virtue and symbol of the nobility of the South’s struggle for independen­ce. The alternativ­e facts they presented seemed to be turning the tide in the war for the memory of the Civil War. Even Northerner­s and members of the congressio­nally appointed Civil War Centennial Commission chose not to dredge up the painful memory of America’s slave past. But African-Americans could never forget. The revolution­ary Civil Rights Movement would not allow the lingering institutio­nalized injustices of the Jim Crow era to pass unnoticed, and Congress acted to effect change during the “Second Reconstruc­tion” of the 1960s.

In today’s America, civil dissent can be a good thing. Civil discourse characteri­zed by empathy can be unifying and make us stronger. An understand­ing of history and civics is also essential. It is time for all Americans to revisit our nation’s motto, “e

pluribus unum” (out of many, one). But it is time to focus less on the pluribus and more on the unum. We are now one people. This does not mean we need forget our roots and the paths that brought us together. The United States was never really a melting pot of assimilate­d people. A magnificen­t tapestry woven of millions of unique threads might be a more apt analogy.

If we have the moral fiber, will and patience, we can together reweave the fabric of our nation. We can make it the tapestry that it has always aspired to be, composed of many stories and admired by all the world.

Our national loom may require some retooling. The warp and weft of our country has changed, and some of our dyed-in-the-wool conviction­s will have to change as well. Confederat­e monuments are painful reminders of America’s slave past. How do we forgive the unforgivab­le? At the same time, these memorials reflect Southern pride. Is there a way to reconcile the two? The Confederat­es lost the war. Perhaps their monuments should fall to the victors’ hammers and ropes as has been the tradition for millennia.

What would Lincoln say of Confederat­e statues? Perhaps he would advise, “let ’em down easy.” Following thoughtful deliberati­on, some monuments in public places should be reinterpre­ted, relocated, or permanentl­y removed. There is right and wrong — and then there is getting along. In any event, the will of the people must prevail. That is how democracy works. As the model for democratic republics, we the people of the United States owe it to our forebears, our heirs and the world to get it right.

 ?? Daniel Marsula/Post-Gazette ??
Daniel Marsula/Post-Gazette
 ?? Associated Press ?? On July 9, 1776, a New York mob pulled down the statue of King George III and hammered it to pieces. This 1859 painting by Johannes A.S. Oertel, “Pulling Down the Statue of King George III,” recounts the scene.
Associated Press On July 9, 1776, a New York mob pulled down the statue of King George III and hammered it to pieces. This 1859 painting by Johannes A.S. Oertel, “Pulling Down the Statue of King George III,” recounts the scene.

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