Pittsburgh Post-Gazette

SUBWAY SYMPHONIES

Is classical music just a pleasant background sound or does it deter crime?

- By Jeremy Reynolds

Pittsburgh was the first city in the U.S. to broadcast classical music in its subway stations.

It wasn’t to combat crime. That isn’t a non sequitur.

Since 1986, Port Authority has piped classical music into the Downtown T subway stations (Steel Plaza, Wood Street and Gateway Center) used by thousands of commuters every day. North Side and Allegheny stations also carry the tunes, and as of 2013, the Pittsburgh Internatio­nal Airport broadcasts the same selections to more than 8 million travelers each year.

Just a year before, 7-Eleven stores in British Columbia, Canada, started broadcasti­ng classical music as part of an effort to curb loitering. Combined with other initiative­s, the chain reported success in driving away idlers at more than 100 stores, sparking an internatio­nal trend in using classical music to drive down crime.

There are dozens of news articles proclaimin­g the effectiven­ess of classical music as a crime deterrent in cities around the globe. The idea makes for a great story. But there are no published studies that indicate that classical music alone deters loitering and crime, and even the anecdotal evidence is conflictin­g.

“Crime wasn’t part of the equation here,” said George Hazimanoli­s, senior director of corporate communicat­ions at WQED. “This was part of a public art initiative back in the ‘80s when the Cultural District was coming into being.”

Port Authority employees distribute­d more than 2,000 surveys in January 1986 after a rider suggested piping in music to make waits at the stations more pleasant. More than 80 percent of responses favored classical music.

The piped-in recordings are almost exclusivel­y from Pittsburgh-based ensembles ranging from the Pittsburgh Symphony Orchestra, the Pittsburgh New Music Ensemble and River City Brass to the Mendelssoh­n Choir, the Pittsburgh Chamber Orchestra and more.

“It absolutely shows the city in a positive light,” said Matthew Mehaffey, music director of The Mendelssoh­n Choir. “Pittsburgh is world renowned for it symphony. The Mendelssoh­n Choir is also nationally recognized as a top chorus. People should be proud of our arts economy!”

Micah Howard, a bassist in the PSO, agreed. “I think the musicians are happy that they do this — it’s really wonderful. When we come back to the city after touring it’s a nice ‘welcome home.’ “

WQED Multimedia curates and provides the music, a 24-hour online streaming service now called “Q the Music.” Pittsburgh Internatio­nal Airport and Consol Energy co-sponsor the initiative for about $19,000 yearly, which covers playlist creation and input, technical support and equipment costs.

WQED’s programmin­g director, Bryan Sejvar, creates two seven-hour playlists a month — everything from Mozart and Beethoven to Copland and RimskyKors­akov — and shuffles them to keep things fresh. During December, WQED pipes in holidaythe­med music, also performed by local ensembles.

“When people say using classical music works to deter crime, you have to ask what they mean by ‘works.’ What works and what doesn’t work is changing. Cultural understand­ing of music and genre is constantly changing, and quickly.” Lily Hirsch, musicologi­st and writer

 ?? Daniel Marsula/Post-Gazette ??
Daniel Marsula/Post-Gazette

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