Pittsburgh Post-Gazette

Aretha Franklin: Must-own albums

- By Mikael Wood

Los Angeles Times

As prolific as she was influentia­l, Aretha Franklin released dozens of albums in a career that lasted longer than half a century.

Here are five of her most important:

‘Laughing on the Outside,’ 1963

With a seemingly arbitrary mix of pop, jazz and R&B tunes, Ms. Franklin’s early-’60s output on Columbia Records left audiences unsure aboutwhat kind of singer they were hearing. But nobody could doubt that a singer was what she was. Seek out this gem to behold the purity of her tone in “Skylark” and to marvelat the way she dismantles, then cleverly reassemble­s, the melody of “Make SomeoneHap­py.”

‘I Never Loved a Man the Way I Love You,’ 1967

Ms. Franklin’s artistic breakthrou­gh — and a landmark in American music as a whole. Recorded in part at Fame Studios in Muscle Shoals, Ala., this was the album that introduced the Queen of Soul in all her glorious complexity: a voice of passion and reason, heart and mind, impatience and understand­ing. “What you want,” she assured us, “baby, I got it.”

‘Amazing Grace, 1972

Evenwhen she was singing about earthly love, Ms. Franklin maintained a strong connection to the church music with which she grew up. Still, few were prepared for the righteous fire of this live album recorded at the New Temple Missionary Baptist Churchin Los Angeles. Listen to “How I Got Over” to hear a pop star still invested in lookingbey­ond herself.

‘Who’s Zoomin’ Who?,’ 1985

The ’80s were rough going for many singers from Ms. Franklin’s generation — especially those determined to stay on the charts. But she sounds re-energized, not desperate, amid the glossy synths andmechani­zed drums of this big commercial hit. “How’d you get your pants so tight?” she asks some dreamboat in the ebullient “Freeway of Love,” which is reason enoughto ride with her.

‘Sings the Great Diva Classics,’ 2014

Ms. Franklin was famously competitiv­e with other singers, and that drive hardly diminished as she got older. Here she stakes a claim on material made famous by Barbra Streisand (“People”), Gladys Knight (“Midnight Train to Georgia”), Alicia Keys (“No One”) and Adele, whose “Rolling in the Deep” she belts so hard you fear the thing might fall apart.

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