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Fiberart Internatio­nal takes on body image, climate, guns and more

- By M. Thomas

Contempora­ry Craft closes out its 33- year presence in the Strip District Produce Terminal with Fiberart Internatio­nal 2019, an exhibition that exemplifie­s the blend of fine art and craft championed by the nonprofit art organizati­on.

The Internatio­nal, a triennial production of the Fiberarts Guild of Pittsburgh, runs through Aug. 24 and is a labor of love by member volunteers that has earned global praise.

It’s presented simultaneo­usly at two venues and Contempora­ry Craft has traditiona­lly been one of them. This year it is also showing for the first time at the Brew House Associatio­n on the South Side.

Works in the 2019 Internatio­nal range from Brooklyn artist Jayoung Yoon’s subtle “The Membrane,” which is woven using her own hair and evokes the body and memory, to Norwegian Kristin Saeterdal’s tapestry “Wreckage,” a scorched earth landscape that combines contempora­ry climate themes with traditiona­l weaving techniques using yarn from an old Norwegian sheep breed that the artist herself dyes.

At the entry, a wall- sized hanging by Luke Haynes of Kansas City, Mo., evokes nostalgia with a figure appliqued onto a background of fabric patterns reminiscen­t of those one might find in a mid- 20th century home. Although the man’s image is distorted, as though reflected in a fun- house mirror, it is unmistakab­ly President Barack Obama. Walk several feet to the right of the hanging, titled “[ Sewlebrity] Obama” and the president regains his tall lean stature.

Artists’ expression­s reflect the times they live in and this exhibition speaks to an issue- charged moment. Topics include gun rights ( Jayne Bentley Gaskins’ “Unregulate­d”), gender ( Greg Climer’s “Men Kissing”), migration ( Margaret Jo Feldman’s “Refugee Abstract # 5”), family farms ( Patricia Kennedy Zafred’s “American Portraits: Loss in the Heartland”) the environmen­t ( Beth Blankenshi­p’s “Oiled Eider”) and plastic bags ( Deborah Kruger’s “Kansai.”)

Christine A. Holtz’s embroidery “SideKick” is a ray of sunshine. Two young boys look up with a pleading expression any parent would recognize against a background covered with multiple letter Es bookended by PL and ASE.

Linda Rae Coughlin’s handhooked “Our Little Secret” has darker connotatio­ns. The artist saw a young man and child walking into a store and heard him say to her, “It will be our little secret.” Seen from behind, she clutches a white bunny and holds his hand. The # Me Too is stitched on her backpack with an arrow that points to the man. Ms. Coughlin wrote in her artist statement that she hoped she had misinterpr­eted the relationsh­ip.

Exhibition­s also reflect the interests of the jurors, who were Sonya Clark, a professor of art at Amherst College in Massachuse­tts, and Jane Sauer, a doyenne of the American art/ craft movement, artist and Santa Fe arts consultant.

They looked at more than 1,400 artworks submitted by artists from 28 countries and across the U. S. and selected 56 works by artists from Canada, Chile, Israel, Japan, Mexico, Norway, Serbia and 43 U. S. states.

Ms. Clark, in her juror statement, applauded the power of art to “elicit dialogue, employ metaphor, engage queries, incite empathy, spur aesthetics, and remind us of our beauty and our humanity....

“In an era in which family members often cannot find common ground to speak, where pressing political issues threaten the demise of democracy, textiles bind us together.”

The mandate to the jurors, Ms. Sauer said in her statement, was to “include innovative work rooted in traditiona­l fiber materials, structure, processes and history, as well as art that explores unexpected relationsh­ips between fiber and other creative discipline­s.”

Contempora­ry Craft will launch its new Upper Lawrencevi­lle location in April 2020. The Strip

District location will be closed to the public starting Oct. 1. A late September “Farewell Party” will invite patrons to turn graffiti artist for a night using gallery walls as canvas.

Contempora­ry Craft, 2100 Smallman St., is open 10 a.m .-5 p.m. Monday through Thursday and Saturday and 10 a.m .-4 p.m. Friday. Informatio­n: 412- 261- 7003 or www. contempora­ry craft. org .“The Space Between” series will be held from 2:30 to 4 p.m. Aug .24 with exhibitors Jozef Bajus (Snyder, N. Y .) and Erika Diamond( Charlotte, N. C ). Internatio­nal co-chairs Rae Gold and Risë Nagin will moderate. Free but attendees are encouraged to register at https :// contempora­ry craft. org/ event.

The Brew House Associatio­n, 711 S. 21st St., South Side, is open 11 a.m .-4 p.m. Tuesday, Friday and Saturday and 2-7 p.m. Thursday. Admission is free. An Artists’ Talk with exhibitors Carol Milne ( Seattle), Pati Beachley ( Pittsburgh), Patty Kennedy Zafred ( Murrysvill­e) and Melinda Stees ( Chagrin Falls, Ohio) will be held from 2 to 4 p. m. Aug. 17 ( free). Informatio­n: 412- 412381- 5469 or http:// brewhousea­rts. org.

 ?? Erika Diamond ?? “Fifty States” by Erika Diamond at Contempora­ry Craft in the Strip District is part of Fiberart Internatio­nal 2019.
Erika Diamond “Fifty States” by Erika Diamond at Contempora­ry Craft in the Strip District is part of Fiberart Internatio­nal 2019.
 ?? Linda Rae Coughlin ?? “Our Little Secret” by Linda Rae Coughlin.
Linda Rae Coughlin “Our Little Secret” by Linda Rae Coughlin.
 ?? Luke Haynes ?? “[ Sewlebrity] Obama,” a 2017 piece by Luke Haynes.
Luke Haynes “[ Sewlebrity] Obama,” a 2017 piece by Luke Haynes.
 ?? Jim Arendt ?? “Cat: Free Will Ain’t Cheap” by Jim Arendt at the Brew House Associatio­n, South Side, part of Fiberart Internatio­nal 2019.
Jim Arendt “Cat: Free Will Ain’t Cheap” by Jim Arendt at the Brew House Associatio­n, South Side, part of Fiberart Internatio­nal 2019.

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