Pittsburgh Post-Gazette

Graphic novels inspire great TV shows

- By Trevor Fraser

Orlando Sentinel (TNS)

Netflix is into the second season of its hit show “The Umbrella Academy.” The quirky dramedy following a dysfunctio­nal family of super-powered siblings garnered more 45 million views in its debut last year. This second outing is on track to match it, currently holding an 89% rating on RottenToma­toes.com, an even higher rating than season 1.

“The Umbrella Academy” is based on a comic book by My Chemical Romance frontman Gerard Way. If the show has whet your appetite for offbeat stories, here are some other series with graphic novels as their inspiratio­n.

‘Watchmen’ (2019)

HBO’s dramatic series is a sequel to Alan Moore and Dave Gibbons’ groundbrea­king book (and not to the 2009 film adaptation). While the graphic novel deconstruc­ted the idea of superheroe­s and questioned the society that would want them, the TV turns these themes into a racially charged narrative about cops in masks battling white supremacis­ts. There are plenty of twists and turns and plenty of reasons this miniseries has been nominated for 20 Primetime Emmy Awards, including for cast members Regina King, Yahya Abdul-Mateen II, Jeremy Irons and more.

‘Lucifer’ (2016-)

Fox took some serious liberties when they adapted Mike Carey’s comic about the Prince of Darkness for television. The original book sees Satan having left hell and contending with characters from a variety of mythologie­s as he seeks to make a new universe in a treatise on the nature of free will. The show takes that first part and then has British actor Tom Ellis play him as a charming rogue who teams with a Los Angeles police detective to solve crimes. The show has jumped from Fox to Netflix, but the premise remains the same.

‘Doom Patrol’ (2019-)

This series began life on the DC Universe app but has since made the jump to HBO

Max. The show pulls heavily from the run of psychedeli­c writer Grant Morrison, including Danny the Street, a sentient transvesti­te stretch of roadway. Like “Umbrella Academy,” the story concerns a band of misfit heroes brought together by a mysterious father figure.

‘Preacher’ (2016-19)

Garth Ennis and Steve Dillon’s violent tour of 1990s America was translated into three seasons of television for AMC. The story concerns Jesse Custer, a doubting preacher receiving a spiritual being and the power to command others with only his voice. Teaming up with a ne’er-do-well Irish vampire and a former flame turned hitwoman, Jesse sets out to find God, more literally than most people.

‘End of the F***ing World’ (2017-19)

Actress Charlie Covell wrote the adaptation for Charles Forsman’s comics about a boy who thinks he might be a burgeoning psychopath and the girl who uses him to escape a rough home. Netflix picked up the British show, which ran for two seasons and earned a Peabody Award. Prepare for heavy doses of pathos and laughter in nearly equal shares.

‘iZombie’ (2015-19)

The CW managed to get five seasons out of the bizarre comic by Chris Roberson about a zombie girl who learns the thoughts of people whose brains she eats. The show has medical resident Liv Moore working in a morgue and using her power to solve the mysteries behind some of the bodies that come in. Think of it like “The Ghost Whisperer,” only she doesn’t exactly whisper.

‘Locke & Key’ (2020-)

The first season of this family mystery premiered on Netflix in February to heavy buzz. Adapted from the comic by Joe Hill and Gabriel Rodriguez, the story follows a family starting over in the childhood home of their murdered father, where the children discover a set of magical keys that unlock fantastica­l places.

‘Wynonna Earp’ (2016-)

In this Syfy series based on Beau Smith’s comic book, the descendent of legendary lawman Wyatt Earp finds her calling in sending the resurrecte­d souls of bad guys to hell. Combining Western and horror tropes, the show has earned a reputation as a hoopin’ and hollerin’ good time.

‘Happy’ (2017-19)

Syfy produced both seasons of this vehicle for character actor Christophe­r Meloni. Based on Grant Morrison’s profane and hilarious comic miniseries, the show offers a twisted take on the classic rogue cop antihero narrative, with Meloni’s misanthrop­ic Nick Sax teaming up with his daughter’s imaginary friend, the winged blue unicorn Happy (voiced by Patton Oswalt).

‘The Boys’ (2019-)

In Garth Ennis’ nihilistic take on the military-industrial complex, superheroe­s are simple-minded brutes with destructiv­e impulses and appetites, and whose images are waved for corporate propaganda while their collateral damage is swept under the rug. The show, coming back to Amazon Prime for its second season Sept. 4, features Karl Urban as Butcher, the man trying to keep the heroes in check, and Antony Starr, in a starmaking turn as the morally ambiguous “Homelander.”

 ?? Christos Kalohoridi­s/Netflix ?? Ellen Page in the Netflix series “The Umbrella Academy,” based on a comic book by Gerard Way.
Christos Kalohoridi­s/Netflix Ellen Page in the Netflix series “The Umbrella Academy,” based on a comic book by Gerard Way.

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