Pittsburgh Post-Gazette

Highland Park Bridge interchang­e to include public art installati­on

- By Ed Blazina

The rebuilding of the interchang­e of Route 28 and the Highland Park Bridge gave Mark Young the chance he’d been waiting for: an opportunit­y to include public art as part of a road project.

Asan environmen­tal planner for the state Department of Transporta­tion, Mr. Young said he saw a need for design consistenc­y in elements such as sound barriers along a highway. Too often, he said, there’s “a mishmash” that occurs when various walls or barriers within a short distance have several different tones of concrete.

To begin addressing that situation, Mr. Young persuaded the agency to include $30,000 as part of the interchang­e project to hire an artist to design artwork on 12 panels for sound barriers that will be installed during the project. It will mark the first time the agency has included sound barrier art in this part of the state, but Mr. Young hopes to make it a regular piece of the department’s constructi­on projects.

Mr. Young said the interchang­e is a good area to begin coordinate­d artwork because the sound barrier reliefs will complement the Behind Every Wall drawings designed by artist Laurie Lundquist on the retaining wall along Route 28 near the 31st Street Bridge during a reconstruc­tion project in 2013.

“This is something I had been thinking about for a number of years: that we should have some consistenc­y with our sound barriers,” Mr. Young said. “We’re hoping for something that excites folks’ eyes as they come into the city.”

The goal is to have an artist design reliefs for seven sound barrier panels along the northbound lanes near the Highland Park Bridge and five panels along the southbound lanes near the Delafield Avenue

Bridge. The reliefs can have impression­s 1 to 4 inches deep and can use up to three colors.

Similar projects around the world have produced a variety of impressive work, including colorful birds and panels that rotate to change the appearance of the images, said Sallyann Kluz, director of Pittsburgh’s Office of Public Art. The office is working with PennDOT to coordinate the project.

“It will be interestin­g to see what the potential artists think of,” Ms. Kluz said. “You never know how they can maximize what they can do with a limited palette.”

Ms. Kluz said about 20 artists participat­ed in a meeting about the project recently, and she expects as many as 75 could submit qualificat­ions for review. Artists have until March 29 to present their credential­s for the project to the Office of Public Art.

The review committee, which will include PennDOT, the Office of Public Art, community members and visual arts profession­als, will look for artists who have done similar projects, Ms. Kluz said. After evaluating credential­s, the committee will meet with three artists and recommend one, plus a backup.

The chosen artist will develop a concept design proposal, then a final design, probably by the end of the year. The concept could include drawings or models of what the finished product might look like.

The final design will be given to the contractor creating the sound barriers, the beginning of what Ms.

Kluz called “when the magic happens.”

In her experience, Ms. Kluz said contractor­s often are skeptical of the process until they do it for the first time. Many times, that leads to them suggesting possibilit­ies in future projects.

“When the artists start working with them, the contractor­s start to see what the possibilit­ies are,” she said.

The key is developing something that is artistic, sturdy and easy to replace if it is damaged, Ms. Kluz said. The contractor will retain the design and forms used to create the reliefs.

“The highway is not a place you can put precious art,” she said.

Mr. Young said he’s not sure what to expect.

“To be honest, I don’t know what it is going to look like,” he said. “I know from what I have seen other places, it can be pretty neat.”

Ms. Kluz said she hopes the Route 28 project will lead to more use of public art in state road projects.

“It’s just so encouragin­g to see PennDOT taking such an interest in incorporat­ing art,” she said.

Golden Triangle Constructi­on is in the early stages of a 2½-year, $47.3 million project designed to eliminate the traffic bottleneck around the Highland Park Bridge’s interchang­e with Route 28. Crews will install an additional lane of free-flowing traffic in each direction on the highway, with separate exit lanes onto and off of the bridge.

 ?? Alexandra Wimley/Post-Gazette ?? Artwork along Route 28 near the 31st Street Bridge shows what can be done with art on urban roadways.
Alexandra Wimley/Post-Gazette Artwork along Route 28 near the 31st Street Bridge shows what can be done with art on urban roadways.

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