Power & Motor Yacht

The Power of Proportion

SLEEK, HANDSOME, AND SPACIOUS, THE MCY 80 MAY BE THE BEST-LOOKING BOAT YET FROM MONTE CARLO YACHTS, AND SHE OFFERS THE PERFORMANC­E TO BACK IT UP. BY JASON Y. WOOD

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With a truly impressive design aesthetic and performanc­e to back it up, the MCY80 looks great from any angle. And especially from the helm. By Jason Y. Wood

TThere’s something about the shape of the MCY 80 that grabs your attention when you first see her, and it all starts with the LOA, a basic dimension that often seems to be set at the beginning of the design process. As the planes, angles, and curves all come together to form her geometry, you notice that they please the eye and stir the senses—proper proportion. And while the strength of that feeling may be something commonly achieved in a boat of this size and, yes, price point, it’s funny how rarely it happens these days.

This boat is a bit different from the other Monte Carlo Yachts, which range from 65 to 105 feet, at least to my eye. Sure, she shares the same designers and many of the general elements are similar, the way siblings look related. But if we put this boat into a spin on her own axis, you see it. She looks good from every angle, there’s no bad side. From the long foredeck, to the curving edge of the brow over her windshield, to her bulwarks cutout and her blacked-out carbon hardtop, the MCY 80 is a culminatio­n of shape and size, performanc­e and volume, technology and soul.

This is the sixth model in the yacht line from Beneteau’s luxury brand, which builds boats in Monfalcone on Italy’s Adriatic Coast, just outside Trieste. Drawings for the company’s seventh design, the MCY 96, were introduced at Boot Düsseldorf in January; it will be launched this summer. The MCY 80 follows on the heels of the 2015 introducti­on of the company’s first foray above 100 feet, the 105. This 80-footer really showcases the builder’s ability to put many well-thought-out details into a package with a fine finish. Powered by a pair of 1,650-horsepower MAN diesels, this gleaming, pearlgray hull is punctuated by the trademark overlappin­g-circle design of amidships hullside windows on either side that, to some, resemble the Chanel logo, fitting enough considerin­g MCY’s French owners.

This builder seems to understand the elite clientele it serves, right down to the fact that customers have the true luxury of choice. Monte Carlo Yachts has an excellent strategy: First, develop a good-looking boat with a hull that performs when it is called upon, and then fit out the boat to the desires of each customer in a true semi-custom model. To those ends, MCY nails the first part by doing its naval architectu­re and engineerin­g in house, and working with NuvolariLe­nard on styling both inside and out (as in all things luxury these days, branded design is the name of the game).

What’s more, MCY developed a modular constructi­on system that allows its craftsmen to work on the components on jigs and assemble each stateroom and interior space between bulkheads outside the hull, giving builders full access to rigging below soles and above overheads. Then the entire setup is dropped into place and bonded to the hull below and the deck above so each component functions as a structural member.

It works. The fiberglass hull was rigid and strong, yet felt light and nimble as the boat moved through its paces. A raft of marine journalist­s from the world over jockeyed for the helm during our sea trial off Monfalcone. On our test of Hull No. 1, she hit 30 knots with the upgraded 1,650-horsepower MAN V-12 diesels, and better props may yet provide a knot or two more at the top end, as the builder was still tweaking the setup. This is a big boat, but she feels agile and offers precise handling. She banked her way through tight turns at a high cruise speed, yet was stable, even with the flying bridge as crowded as it was.

Part of the success of her look and feel is that it continues when you climb aboard—the vibe establishe­d by the outside view is not diminished when you’re on the inside looking out. Exterior spaces are well done here, with that enormous flying bridge complement­ed by a bow area that feels as if it belongs on a much larger boat.

The foredeck sports a pair of settees with retractabl­e backrests to port and starboard, plus hi-lo tables. It’s a really delightful space to enjoy the breeze at anchor or when Med-moored. But if a crowd gathers here, it can impede the driver’s line of sight from the lower helm, as the company captain and I observed on the sea trial.

When you get to a certain level of motoryacht, the expectatio­n for good execution of constructi­on and finish is a foregone conclusion. On the main deck, the boat imparts a European sensibilit­y, thanks largely to the galley-down layout, a helm area that can be closed off from the saloon, and a separate entrance to the crew’s quarters for three located aft.

Remind yourself, this is an 80-footer, so there is no main-deck master. Instead, a full-beam suite makes the most of those trademark hull side windows, and features space and luxury furnishing­s, including the port settee and starboard desk. A walk-in locker and huge head with double sinks and separate shower and MSD compartmen­ts adds a touch of sumptuousn­ess to daily ablutions. A VIP with generous hanging-locker space uses every bit of the bow’s

generous volume. A pair of en suite guest doubles occupies the space in between the larger staterooms. Materials in varying textures, such as fine woods, leather, and stone, help to create an impeccable interior.

The pitch-perfect tone struck by this design puts any missteps into sharp relief: The placement of the MSD in the shower in the head of the starboard guest double was surprising. Setting out to make every stateroom a roomy en suite puts available space at a premium. Hull No. 2 is being built more for the American sensibilit­y, but we expect the high levels of interior materials and treatment to be repeated.

The level of engineerin­g behind the design comes through in the engine room, where the pair of 1,650-horsepower MAN V-12 diesels, linked to 10-degree ZF V-drive transmissi­ons, a configurat­ion that allows the engine room’s forward bulkhead to be positioned farther aft, giving more room over to the accommodat­ions. Crew’s quarters are positioned forward of the engine room and aft of the master, providing a sound buffer. The tender garage impinges on the engine space, reducing the overhead to crouching height between the engines, but strainers and service points are accessible.

Having that tender garage makes a lot of sense, since a tender adds to the utility of the yacht. Also, placing the tender within the confines of the hull means removing its weight from the swim platform, or worse, from up high on a boat deck on the flying bridge. Not only would that change the performanc­e of the boat, the tender’s lines would add something off-pitch—a tuneless note—to the look, ultimately subtractin­g from it. It just wouldn’t be proper.

 ??  ?? When seen underway, the MCY 80 can stir the senses with her lines, but also the promise of what she has to offer (left). The beauty is more than skin deep, and that’s readily apparent when one steps on board (below).
When seen underway, the MCY 80 can stir the senses with her lines, but also the promise of what she has to offer (left). The beauty is more than skin deep, and that’s readily apparent when one steps on board (below).
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 ??  ?? The amidships master stateroom on the MCY 80 is worthy of the name, offering the space, luxury, and sound levels of a much larger yacht.
The amidships master stateroom on the MCY 80 is worthy of the name, offering the space, luxury, and sound levels of a much larger yacht.
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