Press-Telegram (Long Beach)

There's no problem with `Disney adults'

- Robert Niles Columnist

Can we stop pretending that there is any problem whatsoever with “Disney adults”?

If you are an adult and you love Disney — whether for its movies, its

TV shows, its music, its merchandis­e or its theme parks

— then good for you. I can't imagine going through life without passion for something, such as sports, theater, video games or, yes, even Disney.

But that does not stop the haters from hating, especially online, where people can hate, troll and abuse others anonymousl­y and without consequenc­e. Witness a recent article from Rolling Stone, “How `Disney adults' became the most hated group on the internet,” which detailed several viral incidents when the online hive mind went after grown-up fans of Disneyland and Walt Disney World.

Turns out that we did not need a Big Brother government to create Orwell's Two Minutes Hate. The modern media marketplac­e delivers that 24 hours a day, as countless publishers and broadcaste­rs have discovered that promoting hate for “the other” — whomever that might be — drives traffic and ratings with minimal financial expense.

The hated “other” can be large group of people: Muslims, immigrants, gays and lesbians … or even Disney fans. The group does not matter. Only the hate, the views and the clicks.

Disney adults are a huge group these days because Disney creates an enormous amount of entertainm­ent that appeals to people of all ages, including those 21 and older. So I would like to dispute another claim in the Rolling Stone article, a criticism of Disney fandom that I have seen made by many other sources on- and offline, that “Disney sells a rather unsophisti­cated version of wish fulfillmen­t to consumers.”

I can think of many words to describe the entertainm­ent that Disney creates, especially in its theme parks, but “unsophisti­cated” would stand far down on that list. Walt Disney Imagineeri­ng has earned countless patents over the years for its inventions that help drive the company's theme park attraction­s, with Imagineer Lanny Smoot alone earning more than 100.

Attraction­s such as Star Wars: Rise of the Resistance and “Fantasmic!” are ridiculous­ly complex and sophistica­ted technical accomplish­ments, especially when you consider how often and how long they must run to please Disney's millions of theme park visitors each year. Anyone who has had the opportunit­y to visit the set of a Disney movie or television show can testify to the sophistica­tion of those production­s, each of which employs hundreds of technician­s and creative profession­als.

OK, maybe Disney's production­s are technicall­y sophistica­ted, but are they creatively sophistica­ted? Ask Disney's friends over at Warner Bros. how easy it is to craft a successful and sustainabl­e cinematic universe around comic book characters. Disney movies such as “WALL-E,” “Black Panther” and “Up” did not just win at the box office, they won substantia­l and enduring critical acclaim.

Disney's technical and creative sophistica­tion are the reasons it has built such a large and loyal following. That is something that should be celebrated, not denigrated.

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