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E.T. Gunnarsson | Bragi Press 348p, e-book, $3.99, ASIN B0BXQ7GQH5

Violent religious cults, mutant beasts, homesteade­rs, and spirit animals inhabit Gunnarsson’s second installmen­t in the Odemark trilogy (after Forgive Us). The year is 2187 in the dusty, post-apocalypti­c American Midwest, and Simon, who fled a revolution aboard the orbiting Ark ship Arcadis, has been living on Earth for two years now. He’s survived on the polluted and radioactiv­e planet with the help of resident ranch owner Anna, but when he dreams that something happened to the Arcadis, and later witnesses a fiery missile in the sky on his way to nearby city New Uruk, Simon’s convinced it’s the ship, falling to Earth.

Gunnarsson transports readers at a leisurely pace through Simon’s travels, as he and Anna join a wagon train heading west to find the ship and any survivors, hoping to use the ship’s technology and medicine to help Earth’s remnant population­s. There, Simon discovers a world vastly different than the claustroph­obic, sterile, and oppressive life he knew aboard the Arcadis. But trouble begins when the violent Twilight Cult, led by the maniacal Father, attacks the caravan and vows to find the Arcadis first, so they can steal the technology and conquer other outposts of civilizati­on. Simon and Anna get help from Ignis, a member of the kindly Ember Cult, who also wants to find the Arcadis—his people believe it’s a gift that was sent by their Mother goddess.

The chase that ensues plays out over Earth’s devastated landscape of wasteland villages, wise men and women, hallucinog­enic plants, and sand so visceral readers will feel the grit in their throats; even the future Earth’s animal inhabitant­s are powerfully rendered, like the hairless scab boars that have developed “iron lungs” allowing them to filter out the polluted air. This coarse and atmospheri­c apocalypse— with hardy, resilient characters and mutated horrors—is a perfect fit for B movie fun.

Cover: A | Design & typography: A | Illustrati­ons: – Editing: A | Marketing copy: A

Richly detailed, post-apocalypti­c world brimming with magical realism.

Great for fans of Octavia E. Butler’s Parable of the Sower, Demitria Lunetta’s In the After.

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