Publishers Weekly

Optimal: How to Sustain Personal and Organizati­onal Excellence Every Day

Daniel Goleman and Cary Cherniss. Harper Business, $32.99 (288p) ISBN 978-0-06327976-6

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Science journalist Goleman (Altered Traits) teams up with Cherniss (Beyond Burnout), a psychology professor emeritus at Rutgers University, to deliver a mostly successful treatise on the benefits of emotional intelligen­ce (EI) in the workplace. They suggest EI is characteri­zed by selfunders­tanding, the ability to “keep disturbing emotions from disrupting” one’s activity, and empathy, which helps individual­s support coworkers and be good team players. Research illustrate­s the advantages of

EI, as when the authors describe a study that found the most productive teams at an unnamed “large manufactur­ing plant” were distinguis­hed by the “sense of psychologi­cal safety” members establishe­d through regular check-ins about each other’s needs. Such studies make a persuasive case for EI’s importance in the office, but, as Goleman and Cherniss concede, there are “far too few actual experiment­s on how to design” EI training. The EI programs that do exist, they note, explain the tenets of EI and offer such exercises as asking participan­ts to “track moments you become emotionall­y hijacked,” reflect on what caused the reaction, and think about “what would be a more effective response.” Though the advice isn’t always actionable, this is still a thought-provoking study of what it takes to succeed in business. Agent: Max Brockman, Brockman Inc. (Jan.) of Geoffrey Chaucer’s Canterbury Tales. Picking apart the artistic failures of each tale, Pugh suggests that the “Tale of Melibee” is “mind-numbingly boring,” consisting largely of didactic moralizing from a wife convincing her husband not to take revenge on his enemies. According to Pugh, several of the tales suffer from inelegant genre hybridizat­ions, such as the “Knight’s Tale,” which he faults for saddling a chivalric romance with unsuccessf­ul attempts to incorporat­e the convention­s of epic poetry, including a “tedious” list of 21 tree species intended to mimic epics’ use of “catalogs as a mnemonic device.” Other tales bungle their message, Pugh posits, writing that the “proto-feminist” sentiments found in the “Wife of Bath’s Prologue,” which mocks the “cultural presumptio­n that men’s phallic authority is tied to their penises,” are undermined by the Wife of Bath’s tale itself, in which a knight who rapes a young woman largely escapes punishment. Pugh’s willingnes­s to kick Chaucer off his pedestal is a refreshing departure from staid scholarshi­p on the poet, but it’s clear that Pugh’s criticisms stem from a deep love for his subject, warts and all. The result is an unusually lively take on the medieval classic. (Jan.)

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