Surprising novel of art, history, and mid-life crises, including Michelangelo’s.

Great for fans of Stephanie Storey’s Oil and Marble, Theresa Maggio’s Mattanza.

FICTION Michelangelo at Midlife: Chasing the Tomb of Julius II Gene Openshaw | Miner of Light Press 328p, trade paper, $28.99, ISBN 0979-8-218-28353-7

Openshaw’s surprising novel of art, aging, and what life’s all about is three books in one. There is the awed but irreverent quest of protagonist Sam, an artist facing a troubled marriage and a dearth of inspiration, moved to undertake a “kind of crazy spiritual quest”: to trace the construction of Michelangelo’s Tomb of Pope Julius II, perhaps the great artist’s greatest challenge, intended to be “A work of art on a scale that hadn’t been attempted in a thousand years.” Sam’s friend Burke links Michelangelo’s mid-life crisis to Sam’s own malaise. “Some men get a red sports car and a trophy wife,” Burke says. “Michelangelo built a Tomb.” As Sam digs into what went wrong half a millennia ago, Openshaw offers an in-depth history of Michelangelo’s life and career, plus elements of a travel guide, complete with photos, illustrations and informative maps and cartoons, documenting real journeys—and the story of the tomb itself, a grand project that never worked out like Michelangelo had envisioned.

Openshaw is a seasoned tour guide and veteran travel-television show writer, and his expertise in Italy, art, and Michelangelo in particular shines on nearly each page. Meanwhile, Sam’s sandwich-generation troubles—painful divorce; trying to help his aging parents; maintaining a relationship with his young daughter—has him reeling. His admission, in a seedy Bologna hotel, that he has “no home” suggests Orwell’s Down and Out in Paris and London, while accomplished passages of travel writing bring Italy to touching life.

Sam finds some relief in spirited carousing and a hopeful romance, and his travails are wittily juxtaposed against those of his idol, Michelangelo, though at times the balance between the novel’s three modes favors the informative, as Openshaw digs deeply into Renaissance sculpture, patronage, politics and more, considering theories of why the tomb became something of a footnote. Still, Openshaw’s depiction of Michelangelo as a human being with faults and frailties is fascinating. Michelangelo at Midlife is like a trip to Italy, edifying, informative, and unpredictable.

Cover: A- | Design & typography: A | Illustrations: A Editing: A | Marketing copy: A