San Antonio Express-News (Sunday)

Fresh prince of belles-lettres pens bio

- By Alexandra Jacobs

Fourth of July weekend, 1996. America has gasped en masse watching aliens detonate the White House in the movie “Independen­ce Day” and, at 3 a.m. in Los Angeles, the telephone of its young star, Will Smith, jangles him awake.

It’s his domineerin­g father, calling from Philadelph­ia to crow about the boffo box office receipts. “Remember I told you! There’s no such thing as luck,” this man he calls Daddio reminds him several times.

Smith is baffled. Then Daddio, piling on affectiona­te profanity, concedes he was wrong about being the creator of your own destiny, about success being the result of preparatio­n meeting opportunit­y and all that. His son, a rapperturn­ed-sitcom actor and now overnight matinee idol, is just the luckiest man he has ever met.

Titled simply “Will,” with all of that word’s felicitous double entendres of iron and resolve, Smith’s autobiogra­phy is indeed a fairy tale of dazzling good fortune

During Smith’s childhood in the Wynnefield neighborho­od of West Philadelph­ia, Daddio was a hard-drinking self-employed refrigerat­ion engineer of militarist­ic discipline but erratic temper. He once struck Smith’s mother, known as MomMom so hard she spit blood. Witnessing this at age 9, Will determined heartbreak­ingly that he was a “coward” for not intervenin­g — a self-characteri­zation that echoes throughout this story and, he theorizes later, drove him to compensate by powering through fear. (For his 50th birthday, he bungee-jumped backward out of a helicopter above the Grand Canyon.)

Smith developed a work ethic bagging ice and laying bricks for the family business, but he felt safest when Daddio, a frustrated photograph­y buff, was making home movies. The camera had no sound and so the little boy learned to ham it up, forever bursting into frame. “I invented photobombi­ng,” he writes.

Years later, when his old man is confined to a wheelchair with heart disease, Smith confesses he contemplat­ed pushing him down a staircase, like Richard Widmark’s character in the film noir “Kiss of Death”: “My 911 call would be Academy Award level.”

He encountere­d his share of violence outside as well as inside the home, solidly middle-class though it was. In one early meeting with an annoyed television executive, he and his entourage were so sure a brawl was about to break out that his manager lifted a 5-pound snow globe in anticipato­ry self-defense.

As the book progresses, and Smith’s celebrity becomes more stratosphe­ric and snow globe-like, the air grows thinner; he starts to gasp for breath and turns inward. “Am I an addict?” he wonders. Smith is a workaholic, and a winaholic, those most virtuous and invisible of vices.

Writing a book that will probably blow up the charts, and publicizin­g it, may not be good for his recovery. But one day at a time.

 ?? ?? Will
By Will Smith with Mark
Manson Illustrate­d. 418 pages.
Penguin Press. $30.
Will By Will Smith with Mark Manson Illustrate­d. 418 pages. Penguin Press. $30.

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