San Antonio Express-News (Sunday)
Fresh prince of belles-lettres pens bio
Fourth of July weekend, 1996. America has gasped en masse watching aliens detonate the White House in the movie “Independence Day” and, at 3 a.m. in Los Angeles, the telephone of its young star, Will Smith, jangles him awake.
It’s his domineering father, calling from Philadelphia to crow about the boffo box office receipts. “Remember I told you! There’s no such thing as luck,” this man he calls Daddio reminds him several times.
Smith is baffled. Then Daddio, piling on affectionate profanity, concedes he was wrong about being the creator of your own destiny, about success being the result of preparation meeting opportunity and all that. His son, a rapperturned-sitcom actor and now overnight matinee idol, is just the luckiest man he has ever met.
Titled simply “Will,” with all of that word’s felicitous double entendres of iron and resolve, Smith’s autobiography is indeed a fairy tale of dazzling good fortune
During Smith’s childhood in the Wynnefield neighborhood of West Philadelphia, Daddio was a hard-drinking self-employed refrigeration engineer of militaristic discipline but erratic temper. He once struck Smith’s mother, known as MomMom so hard she spit blood. Witnessing this at age 9, Will determined heartbreakingly that he was a “coward” for not intervening — a self-characterization that echoes throughout this story and, he theorizes later, drove him to compensate by powering through fear. (For his 50th birthday, he bungee-jumped backward out of a helicopter above the Grand Canyon.)
Smith developed a work ethic bagging ice and laying bricks for the family business, but he felt safest when Daddio, a frustrated photography buff, was making home movies. The camera had no sound and so the little boy learned to ham it up, forever bursting into frame. “I invented photobombing,” he writes.
Years later, when his old man is confined to a wheelchair with heart disease, Smith confesses he contemplated pushing him down a staircase, like Richard Widmark’s character in the film noir “Kiss of Death”: “My 911 call would be Academy Award level.”
He encountered his share of violence outside as well as inside the home, solidly middle-class though it was. In one early meeting with an annoyed television executive, he and his entourage were so sure a brawl was about to break out that his manager lifted a 5-pound snow globe in anticipatory self-defense.
As the book progresses, and Smith’s celebrity becomes more stratospheric and snow globe-like, the air grows thinner; he starts to gasp for breath and turns inward. “Am I an addict?” he wonders. Smith is a workaholic, and a winaholic, those most virtuous and invisible of vices.
Writing a book that will probably blow up the charts, and publicizing it, may not be good for his recovery. But one day at a time.