San Diego Union-Tribune (Sunday)

SHAKESPEAR­E FESTIVAL THESPIANS BRING THE BARD TO VT. BACKYARDS

- BY WILSON RING Ring writes for The Associated Press.

ONE GOOD THING

On an idyllic summer evening not far from the shore of Lake Champlain, the immortal words of William Shakespear­e f loat from a lush backyard, profession­ally performed — for an audience of six.

Jena Necrason of the Vermont Shakespear­e Festival throws herself into the role of Helena in “A Midsummer Night’s Dream,” lamenting the vagaries of the heart. Her husband, John Nagle, follows, performing Jaques’ famous soliloquy from “As You Like It”: “All the world’s a stage and all the men and women merely players.”

Shakespear­e came to this audience — a Burlington couple, their son and three of his middle school friends who took a break from bicycling — through a program establishe­d after COVID-19 forced the festival to cancel its summer season.

So far Necrason, Nagle and about a dozen other actors have performed about 30 times, sometimes in backyards (safely socially distanced from their audiences), via Zoom or even on the phone. It’s free of charge.

“Instead of having to retreat and say ‘well, we have to wait, there’s nothing we can do right now except things that are virtual or online,’ we wanted to find a way to actually continue to play live,” Necrason said after the recent Burlington performanc­e.

Originally, the festival had planned to present “The Merry Wives of Windsor” as its summer 2020 production. But then, the virus swept across the world.

Festival officials pushed “Merry Wives” to 2021, but they wanted to find a way to give to the community, especially in uncertain times. Their solution: Shakespear­e to You, also known as Bard to Your Yard.

“The idea is just a single person going up to a yard and ringing the doorbell, wearing a mask, stepping back, at least 6 feet apart, delivering a live Shakespear­e monologue or sonnet as a way of connecting in a real, face-to-face, live way,” Nagle said.

To order up a performanc­e, aspiring audiences go to the Vermont Shakespear­e website and choose from among a dozen Shakespear­e selections. They might choose Hamlet’s “To be or not to be” speech, or the balcony scene from “Romeo and Juliet” (“But soft, what light from yonder window breaks”) or Cassius’ lines in “Julius Caesar”: “The fault, dear Brutus, is not in our stars, But in ourselves.”

A friend ordered up the performanc­e for Jen and Jean Andre Debedout, which they held in the backyard of their Burlington home. They watched from the deck as Necrason and Nagle gave their brief performanc­es; the actors don’t wear costumes aside from the Elizabetha­n ruffs on their necks.

“I loved the way that it was performed, I loved the pieces that they picked, actually,” said Jean Andre Debedout. “It expressed a little bit of the humor of Shakespear­e as well as some of the serious notes that you get in there as well.”

Timothy Billings, an English professor and Shakespear­e expert at Middlebury College, said the program was reminiscen­t of how early performers of Shakespear­e would travel throughout England when the plague was hitting London.

“Obviously it’s very different in all sorts of ways, but I like that there’s this, kind of, historical echo of what happened in (Shakespear­e’s) own time,” Billings said.

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AP
 ?? WILSON RING ?? Jena Necrason, of the Vermont Shakespear­e Festival, performs as of Helena in Shakespear­e’s “A Midsummer Night’s Dream” in a backyard in Burlington, Vt.
WILSON RING Jena Necrason, of the Vermont Shakespear­e Festival, performs as of Helena in Shakespear­e’s “A Midsummer Night’s Dream” in a backyard in Burlington, Vt.
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