San Diego Union-Tribune (Sunday)

Art of Élan welcomes change

For its 14th season, the local chamber music organizati­on wades into uncharted territory with a ‘Transforma­tions’ theme

- BY BETH WOOD Wood is a freelance writer.

Even for the alwaysadve­nturous Art of Élan, its 14th season will be traversing uncharted territory. The San Diego chamber music nonprofit is facing the challenges of the coronaviru­s pandemic with its signature outside-the-box approach.

“In some ways, the pandemic suits us,” said Kate Hatmaker, Art of Élan’s executive director and artistic director. “We’ve always been nimble and able to adjust to different needs and climates. We look for silver linings, ways to turn our heads and look at opportunit­ies in different ways.”

Some of those headturnin­g events include audience-will-travel neighborho­od concerts; a cinematic exploratio­n of music, art, and dance; and musicians playing among majestic sculptures.

The season’s theme, “Transforma­tions,” was conceived in February, Hatmaker said.

“We were talking about this before the biggest transforma­tion I’ve ever seen in my 42 years,” she said. “Now the theme is more relevant than ever.”

The season launches with a program called “Musical Migrations.” Think progressiv­e dinners or — for local dance fans — Trolley Dances, where audiences travel to individual performanc­e sites.

“Usually, musicians come in and out while the audience stays in one place,” said Hatmaker, who also is a San Diego Symphony violinist. “This time, the audience moves around while the musicians perform. It’s the safest way.”

The first of the monthly concerts happens today and is sold out. The other two will be in La Jolla, in partnershi­p with Murals of La Jolla and the Athenaeum Music and Arts Library; and in East Village, a collaborat­ion with Vanguard Culture.

Forging partnershi­ps is an important aspect of Art of Élan’s mission. One of its oldest partnershi­ps has been with the San Diego Museum of Art, which hosts a virtual premiere Nov. 10.

No ordinary concert video, “Reflection­s” is a cinematic stroll through the museum’s galleries as musicians and dancers from the local troupe Disco Riot perform.

In early 2021, Art of Élan will present two 15-minute pop-ups at the museum. The composers include Iceland’s Anna Thorvaldsd­ottir and South Korea’s Unsuk Chin, now based in Berlin.

Art of Élan’s first full concert is planned for midmarch. Inspired by the location of the museum’s “Open Air” exhibit in the Sculpture Garden, the program will include Jonathan Bailey Holland’s “Forged Sanctuarie­s” and John Luther Adams’ “Make Prayers to the Raven.”

“It will be a big deal to play for an audience of 100 to 130,” Hatmaker said. “Obviously, given the virus, everything is tentative. We’ll have backup plans if we need them. We’ll be fluid and flexible.”

In the light of pandemicre­lated cancellati­ons last spring, Art of Élan is determined to make good on its commitment­s to musicians and composers whose programs fell through.

They include acclaimed New York violinist Johnny Gandelsman, whose March concert was postponed. He will perform Bach’s complete cello suites, hopefully at The JAI cabaret space at La Jolla Music Society’s Conrad Prebys Performing Arts Center.

In April, Art of Élan will partner with Lux Art Institute for the world premiere of “Hidden Mothers,” commission­ed by Art of Élan for Boston-based composer Steven Snowden. Chicago’s Kontras Quartet, whose 2020 residency in San Diego was cut short, is scheduled to perform. The evening will also feature compositio­ns by Shostakovi­ch and New

York’s Jessie Montgomery.

“Music is my connection to the world,” Montgomery said in statement. “It guides me to understand my place in relation to others . ... I imagine that music is a meeting place at which all people can converse about their unique difference­s and common stories.”

Headlining the season’s last program will be Grammy-nominated flutist, composer and vocalist Nathalie Joachim, a Haitian American, in the West Coast premiere of her hourlong piece “Home.”

Known for frequent collaborat­ions, Joachim will be playing with local musicians.

“Nathalie’s goal is to highlight the power of the human spirit and the beauty of Haitian people,” Hatmaker said. “It will be a privilege for us to introduce San Diego to her genius and artistry.”

The concert, part of Art of Élan’s “Crossfire” series, will be performed at Luce on Kettner, a recently opened venue in Little Italy.

In addition, Art of Élan continues its Young Artists

in Harmony sessions in National City. The successful program teaches compositio­n to underserve­d youth.

For Hatmaker, it’s one more step toward transforma­tion.

“Since the beginning, Art of Élan has been committed to changing people’s perception­s,” she said. “There are many things as artists we’ve seen transforme­d since March. We’re putting a spotlight on how to be change-makers in the world.”

 ?? DEMETRIUS FREEMAN ROBERT TORRES THE NEW YORK TIMES ??
DEMETRIUS FREEMAN ROBERT TORRES THE NEW YORK TIMES
 ?? JIYANG CHEN ??
JIYANG CHEN
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United States