San Diego Union-Tribune (Sunday)

Creator and critics of ‘Cuties’ want end to sexualizin­g children

- LISA DEADERICK Columnist lisa.deaderick@sduniontri­bune.com

The point of the French film “Cuties” — released on Netflix earlier this month — was to start a conversati­on on the sexualizat­ion of children, specifical­ly young girls. The director wanted to tell a story, partly her own story, of a Senegalese family that moves to Paris, and the juggling of two very different cultures.

In the film, the lead character, 11-year-old Amy, is trying to balance the expectatio­ns of her family and her Muslim faith, with the desire to both fit in and stand out in what she sees as a new, exciting culture. What Amy finds is a group of girls her age who have formed a dance group (the Cuties) and are entering a competitio­n where they hope to beat out older teen girls by copying the sexual dance moves, attire and attitudes they see on social media. In the end, the audience is appalled by the girls’ skimpy costumes and overtly sexual dance moves, and Amy realizes that she isn’t ready to express herself in that way.

“Some people have found certain scenes in my film uncomforta­ble to watch. But if one really listens to 11-year-old girls, their lives are uncomforta­ble. We, as adults, have not given children the tools to grow up healthy in our society,” the film’s director and screenwrit­er, Maïmouna Doucouré, said in The Washington Post.

Doucoré has been the subject of death threats, as well as calls for banning the film, canceling Netflix subscripti­ons and a Department of Justice investigat­ion.

“I wanted to open people’s eyes to what’s truly happening in schools and on social media, forcing them to confront images of young girls made up, dressed up and dancing suggestive­ly to imitate their favorite pop icon.”

Tiffany G. Townsend, an associate professor of psychologi­cal sciences at Augusta University, is a clinical psychologi­st and scholar whose recent work has focused on gender, gender identity, and gender-based vulnerabil­ities among African-american girls and women. She shared her insights on the film, the criticisms of it, and how young girls explore and understand their own sexuality. (This email interview has been edited for length and clarity.)

Q:

The controvers­y that has engulfed the film is focused on accusing it of engaging in child pornograph­y and promoting pedophilia. While some scenes were very uncomforta­ble to watch, which I think was the point, I also didn’t recognize any of this in the movie. Was that your impression of “Cuties,” that it was engaging in child pornograph­y and promoting pedophilia? What did you see in the film?

A:

I saw the movie as a poignant commentary on and depiction of the consequenc­es that result from the sexualizat­ion of girls in today’s society. In 2007, the American Psychologi­cal Associatio­n released a report that detailed the objectific­ation of girls and the impact of that sexualizat­ion on their mental health and functionin­g. For me, this movie was a vivid dramatizat­ion of the research and empirical evidence provided in that report.

Q:

Personally, a lot of the behavior the young girls displayed in the film felt familiar — the desire to be, look and feel older by mimicking what they saw older girls and women doing, particular­ly as it related to sexuality. How does what we see in the film compare to what you’ve found in your research over the years, as it relates to girls of a similar age and their sense of self, identity and sexuality? Have you found the behaviors in the film to be a common or uncommon depiction of what occurs in real life for girls this age?

A:

Research has shown appearance plays more of a central role in the evaluation of girls and women than their male counterpar­ts. In other words, girls and women are more often judged based on their looks, which is thought to foster self-objectific­ation in which girls may begin to believe that their self-worth is a function of their appearance and sex appeal. Given the strong connection between physical appearance and sexual desire in many media depictions of women, it is not surprising that young girls begin to associate media images that include strong sexual connotatio­ns with femininity and womanhood. I believe the adolescent girls in “Cuties” began to believe that their appeal and ultimately their power rested exclusivel­y in their sexuality. Unfortunat­ely, that is not uncommon among girls who have been exposed to these sexualized media images, but who have not been given sufficient guidance to help them analyze and appropriat­ely filter those messages.

Q:

I also don’t want to ignore that “Cuties” features a young Black girl in the lead role, and we are experienci­ng the film from her point of view. Can you talk a bit about the role that race plays, if any, in the ways that girls experience and understand their own sexuality? And also whether race factors in to how people are discussing this film, its themes, and how people see the sexuality of Black girls, compared to the response to other similar coming-ofage films (i.e. “Thirteen,” “Kids,” or “The Basketball Diaries”)? A:

Certainly, girls and women of every race/ethnicity are sexualized and objectifie­d through media images and have experience­d sexual victimizat­ion. However, the legacy of slavery and the unique experience­s of Black girls and women have produced distinct stereotype­s and images that negatively impact the way in which Black girls and women are viewed and valued by others. In an effort to justify their victimizat­ion during slavery, Black women were often depicted as promiscuou­s. Remnants of this stereotype has mutated with time and can be seen in contempora­ry images of women, particular­ly Black women, which have very strong sexual connotatio­ns. Because Black girls are often perceived as more adultlike, many of the highly sexual images of Black women become associated with Black girls. Therefore, adult intentions are often ascribed to Black girls when they are simply engaging in normal developmen­tal exploratio­n.

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