San Diego Union-Tribune (Sunday)

Amanda Gorman shares her reading list

Inaugural poet, who has a new book out, on her inspiratio­ns from childhood and today

- THE NEW YORK TIMES

Q:

What books are on your night stand? A:

“Alexander Hamilton,” by Ron Chernow, and “Othello,” by Shakespear­e. I could read those every night.

Q:

What’s the last great book you read? A:

“Postcoloni­al Love Poem,” by Natalie Diaz.

Q:

Who are your favorite writers — novelists, essayists, critics, memoirists, poets — working today? A:

Oh wow, there’s so many! Some are Ocean Vuong, Clint Smith, Madeline Miller, Tracy K. Smith, Jeremy O. Harris and Roxane Gay.

Q:

Describe your ideal reading experience (when, where, what, how). A: A fireplace is crackling nearby, I have warm tea in my hands, a blanket over my lap and a thick, well-loved book in my hands.

Q:

When did you start reading poetry? What books made you fall in love with poetry? A:

I actually started writing poetry before I started reading it, mostly because at the time poetry wasn’t something that was taught robustly in my classrooms. Around middle school a writing mentor introduced me to the writing of Sonia Sanchez and gave me a book of her new and selected poems, “Shake Loose My Skin.” I fell in love with it and reread it every day. After that I got my hands on a copy of “Angles of Ascent: A Norton Anthology of African American Poetry,” and I just had this feeling of: Oh, these are my people. Q:

Are there poets for whom you’ve gained greater appreciati­on over time? A:

Shakespear­e, hands down, which might seem a bit elementary since he occupies such a center stage in literature. Yet for the longest time I was ambivalent, if not outright dubious, of Shakespear­e, for that very same reason. He just felt like another ancient dead White guy that my teachers were trying to shove into my brain when I was desperate to read someone who looked like me. When I was in college, I had this moment of thinking: If you’re going to close yourself off to an author, at least read them to understand why. I owed that to myself and to literature. So I pushed myself to take a course called Global Shakespear­e, taught by Dr. Leah Whittingto­n, and I fell in love. I think it was finally being able to read Shakespear­e through a global, racial and gendered lens that made me see him anew.

Q:

If you were to write something besides poetry, what would it be? A: Novels. Novel writing was my original love, and I still hope to do it. I just typically can finish writing a single poem faster than I can an entire narrative book!

Q:

Do you count any books as guilty pleasures? A:

Not really. Maybe young adult novels, though I don’t consider this guilty so much as underestim­ated. I love young adult novels. It’s just a shame that for the longest time they weren’t thought of as great works of literature, which they can be and are. I think we see that among the likes of “The Hate U Give,” “The Giver,” etc.

Q:

What books might we be surprised to find on your shelves? A:

“The Complete Guide to Watercolor.” “The Complete Idiot’s Guide to Journalism.” I’d reread that all the time growing up when I was trying to imagine how to pay bills as a writer.

Q:

Do books serve a moral function, in your view? How so? A:

Yes. Even if we don’t set out for them to have a moral function, they do achieve a moral impact. For example, we generally think of reading as serving primarily an academic capacity. But we know reading also increases children’s emotional intelligen­ce. Books have the power to change how we see ourselves and others. The choice is ours to harness that potential.

“I actually started writing poetry before I started reading it, mostly because at the time poetry wasn’t something that was taught robustly in my classrooms.” Amanda Gorman

Q:

You’re throwing a literary dinner party. What three writers, living or dead, do you invite? A: Shakespear­e, Phillis Wheatley, Lin-manuel Miranda.

 ?? REBECCA CLARKE THE NEW YORK TIMES ??
REBECCA CLARKE THE NEW YORK TIMES
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