San Diego Union-Tribune

HEDGE FUND INVESTOR PUSHES STREAMING AT DISNEY

- BY RYAN FAUGHNDER Faughnder writes for the Los Angeles Times.

Walt Disney Co. has already made a high-stakes bet to transform itself into a streaming video giant with Disney+. Now, with the COVID-19 pandemic still ravaging the entertainm­ent industry, one of the most prominent activist investors is telling the company to double down.

Daniel Loeb, founder of hedge fund Third Point, wrote in a Wednesday letter to Disney Chief Executive Bob Chapek that the Burbank-based entertainm­ent colossus should permanentl­y cancel its annual dividend and funnel the savings to its streaming efforts.

By suspending its $3 billion dividend, Disney could “more than double” its budget for producing and acquiring content for its streaming services, including Disney+, Loeb wrote.

Loeb bought 1.4 million Disney shares in May when the stock was in a slump because of coronaviru­s concerns and has since increased his position to about 5.5 million shares, according to FactSet.

He acknowledg­ed that increasing spending on Disney+, Hulu, ESPN+ and other digital platforms will put additional pressure on Disney’s earnings.

However, he argued, investing more in the growth of its services will benefit shareholde­rs in the long term and boost Disney’s competitiv­e position at a time when virtually every media company — WarnerMedi­a, NBCUnivers­al and ViacomCBS included — is trying to make a splash in subscripti­on video.

“With Disney’s superior tentpole franchises and production capabiliti­es, we believe that the company can exceed the subscriber base of the industry leader, Netf lix, in just a few years,” Loeb wrote. “But time is of the essence and the company should consider significan­t additional investment­s in content both through production and acquisitio­ns here and abroad.”

Disney did not immediatel­y respond to a request for comment.

The company, which reports fiscal fourth-quarter and full-year earnings next month, has been hit hard by the coronaviru­s, which has kept Disneyland Resort shuttered for months, delayed major film releases and sent movie theaters into crisis mode.

Disney said last month that it would lay off 28,000 workers in its parks, experience­s and products division — mostly at Disneyland Resort in Anaheim and Walt Disney World in Orlando, Fla., but also at its retail stores and cruise ships.

The studio has delayed movies including Marvel’s “Black Widow” and Steven Spielberg ’s “West Side Story” because of depressed theater attendance levels and continued closures in key markets. It has also taken some of its movies directly to Disney+. “Hamilton” debuted on the $6.99-a-month service in July, and“Mulan” was released through the app as a $30 purchase in September, a major blow to theaters.

Loeb’s Disney letter comes as Regal Cinemas’ parent company, Cineworld, temporaril­y closes all 536 of its U.S. theaters because of the lack of new Hollywood blockbuste­rs.

Disney has been the industry’s most reliable source of theatrical blockbuste­rs in recent years, and most analysts say the expensive movies Disney makes need ticket sales to make a profit.

But Loeb seemed to predict a future in which more of Disney’s high-profile releases go directly to consumers via streaming — a departure from the convention­al wisdom in Hollywood.

“While we all share a certain sadness and nostalgia for this eventualit­y, I am sure that people felt similar emotions about horse-drawn carriages when the automobile was first introduced,” Loeb wrote in his letter.

Disney has given no indication that it intends to keep sending its big-brand tentpoles to Disney+ after the pandemic subsides, though Chapek said it hoped to use the “Mulan” experiment as a learning opportunit­y.

Disney+ has exceeded 60 million subscriber­s since its launch last November, blowing past expectatio­ns and hitting the company’s five-year guidance range.

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