Celebrating three wise men who reinvented Christmas
In 1822, the Rev. Clement Clarke Moore, a literature professor at a theological seminary in New York City, wrote for his children what many believe is the best-known verses in the English language, “A Visit From St. Nicholas.”
The poem, usually titled “The Night Before Christmas” from its first line, powerfully inf luenced the iconography of Santa Claus — his plump and jolly white-bearded look, his means of transportation, the names of his reindeer and the tradition of his delivering toys to boys and girls on Christmas Eve. On that night, many parents read this poem to their children.
Later in the 19th century, another New Yorker, Thomas Nast, enlarged the image of Santa Claus with his artist’s pen and brush. Known as the Father of the American Cartoon, Nast remembered that when he was a little boy in southern Germany, every Christmas a fat old man gave toys and cakes to children. So, when he sketched and painted Santa, his portraits looked like the kindly old man of his childhood.
Santa Claus had been represented in various ways, but Nast, inf luenced by the “right jolly old elf ” depicted in Moore’s poem, created the figure we know today. Over the course of 30 years of drawing for Harper’s Weekly magazine, he baked into our culture his image of Santa Claus — his jolly girth, his white beard and mustache, his bright redand-white-trimmed coat, trousers, and hat, his black belt and boots and his sack of toys. He also drew Mrs. Claus and set the Clauses’ workshop at the North Pole.
Across the sea in England, Charles Dickens was born into an impoverished family. His father served a term in debtors’ prison, and Charles worked as a child laborer in a London boot-blacking factory. From such unpromising origins, he rose to become the bestselling writer of his time and one of the most enduring and quotable writers of all time. The rags-to-riches life of Charles Dickens became more fantastic than any of his stories.
In 1843, within the brief compass of six weeks, Dickens gave the world “A Christmas Carol.” The inf luence of that Christmas present is towering. The story’s glowing message — the importance of charity and goodwill toward all humankind — struck a resonant chord in England and the United States and deepened the celebration of the holiday.
Although Christmases in eastern England were rarely snowy, Dickens’ backdrop of a blizzardy London in his “Carol” stuck with readers and helped create our expectations of a “White Christmas.”
Today, we’re likely to call anyone who is not in the Christmas spirit a Scrooge and give them a sarcastic “Bah! Humbug!” Most of us know that we owe this phrase to Charles Dickens, but hardly anyone realizes that he also popularized the greeting “Merry Christmas.” Ebenezer Scrooge’s visiting nephew greets his uncle with it in the very first chapter. In all his curmudgeonly glory, Scrooge fires back, “‘Merry Christmas!’ What right have you to be merry? Every idiot who goes about with ‘Merry Christmas’ on his lips should be boiled with his own pudding and buried with a stake of holly through his heart!” After that episode, “Merry Christmas” lodged in readers’ minds and hearts.
Without Charles Dickens’ slim stack of messy manuscript pages that came to be known as “A Christmas Carol,” Christmas today might still be a relatively minor holiday with no snow, no carolers and no large family gatherings for turkey dinners.