DRUMMER FOR HIT-MAKING GROUP THE RASCALS IN 1960S
Dino Danelli, whose hardcharging, high-energy drumming powered the Rascals to a string of hits in the late 1960s, including the No. 1 records “Good Lovin’,” “Groovin’” and “People Got to Be Free,” died Dec. 15 in Manhattan. He was 78.
Joe Russo, a close friend and the band’s historian, confirmed the death, which was at a rehabilitation center. He said Danelli had been in declining health for several years.
The Rascals (billed on their first three albums as the Young Rascals) were among the first American bands to emerge in response to the socalled British Invasion of 1964.
Formed in New Jersey in 1965, the quartet — featuring Felix Cavaliere on organ and vocals, Eddie Brigati on vocals, Gene Cornish on guitar and Danelli on drums — drew on a range of influences, including doo-wop, jazz and soul.
Danelli, a protégé of great jazz drummers Buddy Rich and Gene Krupa, merged percussive virtuosity with a rock sensibility. Like Ringo Starr of the Beatles, he set the template for the rock drummer archetype: disciplined and precise, but with a flair that drew the crowd’s eye. He would twirl his sticks — a trick he learned from his sister, a cheerleader — and throw them in the air, before catching them without dropping the beat.
Danelli was responsible for the band’s first big hit. He was a fan of obscure soul records,
and one day at a record shop in New York’s Harlem neighborhood, he found a single by the Olympics, “Good Lovin,’ ” written by Rudy Clark and Arthur Resnick, which reached No. 81 on the Billboard Hot 100 in 1965.
“We said, ‘Let’s try it, let’s put a new version to it,’ ” he said in a 2008 interview with drummer Liberty DeVitto. “It was just a lucky find.”
The Rascals played the song during a 1966 appearance on “The Ed Sullivan Show.” It soon topped the charts and — with its opening shout of “One, two, three!” — became one of the bestknown songs of the decade.
Onstage, the band dressed in the sort of foppish outfits favored by several other white acts of the mid-1960s: knee-high socks, short ties, floppy collars. But it was the first White band
signed by Atlantic Records, home of Ray Charles, and it was among the few American rock bands to be accepted by Black crowds.
The members included a clause in their contracts stating that they would perform only if a Black act was on the bill with them — a fact that meant large swaths of the South remained off limits.
As the Rascals evolved, their sound mellowed and they turned out summer-vibe classics like “Groovin,’ ” which hit No. 1 in 1967, and “A Beautiful Morning,” which reached No. 3 in 1968.
That same year, shocked by the assassinations of Martin Luther King Jr. and Sen. Robert F. Kennedy of New York, they released “People Got to Be Free,” a paean to racial harmony — written, like the earlier two songs, by Cavaliere and Brigati. It also reached No. 1.