San Francisco Chronicle - (Sunday)

Booking photos no longer fair game in S.F.

- JOHN DIAZ

San Francisco Police Chief Bill Scott decided to conduct an experiment of his own while considerin­g whether to halt the release of suspects’ booking photos. At home he would hit the “record” button each time a crime story came on the local TV news. Replaying a month’s worth of examples validated what academic researcher­s and members of the community had been insisting: The pervasiven­ess of black and brown faces in guiltylook­ing poses feeds into racial stereotype­s.

“It was sobering and staggering,” Scott said in an interview Friday.

But the police chief did not blame the media for the unconsciou­s bias it created, because “we supply that informatio­n.”

His department won’t be doing so anymore.

Scott announced Wednesday that booking photos will be released only in limited circumstan­ces, such as warning the public when a potentiall­y dangerous suspect remains at large. Beyond that, mug shots will be released only after conviction, at the department’s discretion.

I must admit to a mixed reaction to the new policy. Scott’s concerns are well founded: The treatment of booking photos has been a subject of discussion in newsrooms long before George Floyd’s horrific killing by Minneapoli­s police spurred a national reckoning about the causes and pervasiven­ess of racial discrimina­tion. Some news organizati­ons, including the Gannett chain, had stopped publishing mugshot galleries of local people arrested. Publicatio­ns and outlets that critique industry practices — Columbia Journalism Review, Editor & Publisher, National Public Radio — had done extensive stories on the move away from booking photos.

The Chronicle is judicious about publishing mug shots, using them less and less; weighing the news value of each against what are, by their nature, lowvalue photograph­s. They appear rarely on SFChronicl­e.com and even less frequently in the print edition. In nearly all cases, a map showing the location of a crime is far more relevant to readers who may have been witnesses or are looking for trends.

Scott noted that the overuse of mug shots is more of an issue with television news, with its dependence on visuals, than with print media.

Yet I have great pause about delegating these editorial judgments to police department­s that might have an incentive to downplay or even conceal a crime. Examples could include the arrest of an elected official who has control over the department’s budget or a suspect who alleges that an officer who used excessive force during an arrest. In the latter case, a booking shot could challenge the official denial.

Scott argued that under state law the news media will have “other avenues” to obtain such evidence when a suspect experience­d “great bodily injury” in an encounter with police.

His concern is not just about racial bias. It’s also about fairness. A publicly available mug shot could haunt the job prospects or future relationsh­ips of a young adult who made a stupid mistake.

The internet is filled with booking photos of celebritie­s who should “have the same rights as everyone else” — as in, a presumptio­n of innocence — Scott said. In any of those cases, the charges may be dropped or the person acquitted, but the humiliatin­g photo endures.

California actually had to pass a law in 2015 to stop what had been a cottage industry exploiting the public availabili­ty of mug shots. Some sleazy enterprise­s had taken to posting arrest mug shots online and then charging the subject sometimes thousands of dollars to delete it. Some of the firms were savvy enough to ensure the mug shot came up first when the subject’s name was Googled.

“It was really extortion,” said state Sen. Jerry Hill, DSan Mateo, who wrote SB1027 after hearing about the schemes. “It just seemed so unfair to me that people had to pay a price to have their pictures taken out of the system.”

Hill said in an interview Thursday that he wants to “take the profit incentive away.”

The law, signed by thenGov. Jerry Brown, makes it illegal to solicit or accept payment to “remove, correct or modify” mug shots, while giving victims the authority to sue for damages. SB1027 does not otherwise restrict public access to those photos, or publicatio­n by the news media.

San Francisco’s police chief acknowledg­ed that “my thinking has evolved on this” from the days when he was a homicide inspector and would release mug shots after conviction­s. He saw it as a public benefit: showing the community that killings were being solved and potentiall­y leading to tips about unsolved cases.

“Sometimes we don’t think about the consequenc­es of what we do,” Scott said.

This national reckoning on race is all about reassessin­g the consequenc­es of what we do.

There was a time when many news organizati­ons reflexivel­y repeated police descriptio­ns of suspects on the run, even if it was as spare and unhelpful to crime fighting — but unfair to a large swath of the community — as “Black male in his 30s.” The Chronicle standard, spelled out in its stylebook, is to include race only when it is accompanie­d by sufficient detail “to help a reader potentiall­y identify an individual.” Now the focus turns to mug shots. The concept and the intent of the new SFPD booking photo policy is sound — and something that responsibl­e newsrooms already have been addressing — though I have no doubt that conflicts will arise, as they inevitably do even when it is clear that public access is guaranteed.

John Diaz is The San Francisco Chronicle’s editorial page editor. Email: jdiaz@ sfchronicl­e.com Twitter: @JohnDiazCh­ron

 ??  ?? Infamous mug shots, from left: Al Capone (1930), Charles Manson (1969), O.J. Simpson (1994), former Minneapoli­s police Officer Derek Chauvin (2020)
Infamous mug shots, from left: Al Capone (1930), Charles Manson (1969), O.J. Simpson (1994), former Minneapoli­s police Officer Derek Chauvin (2020)
 ?? Getty Images photos ??
Getty Images photos
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United States