San Francisco Chronicle - (Sunday)

Cover story

- By Tony Bravo

‘California Elegance’ profiles the people and places who make the state golden.

In the five years writer Christine Suppes and photograph­er Frederic Aranda spent compiling their new book, “California Elegance: Portraits From the Final Frontier,” they traveled thousands of miles throughout the state, meeting subjects and scouting locations from San Ysidro along the Mexico border to Yreka near Oregon. While the project began in the collaborat­ors’ minds as a “love letter to the Golden State,” featuring fascinatin­g people and memorable locations, it was always one they knew would be complicate­d. A particular trip in November 2017 crystalliz­ed for them how some of the challenges of the present were dramatical­ly changing life for Northern California­ns.

That year, the region was besieged by destructiv­e wildfires. As Suppes and Aranda drove from her home in Palo Alto to Humboldt County for a photo shoot in the Rockefelle­r Forest, they stopped at a restaurant in Santa Rosa, which had been particular­ly hard hit.

“I wanted to go to businesses that had been closed during the fire; I knew they must be hurting,”

“California Elegance: Portraits From the Final Frontier”

By Christine Suppes and Frederic Aranda.

(Mondadori, 432 pages, $80)

Tony Bravo in conversati­on with “California Elegance” author Christine Suppes and photograph­er Frederic Aranda: 6 p.m. Thursday, Feb. 18. Free. https://tickets.sf chronicle.com/e/sfc-california -elegance says Suppes, who is also the author with Aranda of the 2015 photograph­ic memoir “Electric Fashion.” What Suppes and Aranda found in Santa Rosa was resilience.

“This was only a couple weeks after the fires, but there were a lot of people there who obviously felt the way I did about it being important to patronize places that had lost business,” Suppes says. “You had this sense they were coming together for each other. They talked about it. It said something to me about who lives here. They were grateful.”

Suppes and Aranda came to feel that they were documentin­g a state that had reached a peak interest in the popular consciousn­ess. It was also a time when the people here were dealing with drought, climate change, housing shortages and economic disparitie­s like never before. The book would remain a love letter, but one that acknowledg­ed those realities and the people working to change them.

“If you’re going to come into an experience like putting a book

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Frederic Aranda
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Mondadori

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