San Francisco Chronicle - (Sunday)

Holocaust escapee fronted heavy metal band

- By Annabelle Williams Annabelle Williams is a New York Times writer.

Inge Ginsberg, who fled the Holocaust, helped U.S. spies in Switzerlan­d during World War II, wrote songs in Hollywood and, in a final assertion of her presence on Earth, made a foray into heavy metal music as a nonagenari­an, died July 20 in a care home in Zurich. She was 99.

The cause was heart failure, said Pedro da Silva, a friend and bandmate.

In a picaresque life, Ginsberg lived in New York City, Switzerlan­d, Israel and Ecuador. She wrote songs and poetry, worked as a journalist, and refused to fade into the background as she aged, launching herself, improbably, into her heavy metal career.

She was the frontwoman for the band Inge and the Tritone Kings, which competed on television in “Switzerlan­d’s Got Talent,” entered the Eurovision Song Contest and made music videos. Whatever the venue, Ginsberg would typically appear in long gowns and pearls and flash the two-fingered hand signal for “rock on” as she sang about the Holocaust, climate change, mental health and other issues.

In the 2017 music video for the band’s song “I’m Still Here,” Ginsberg stands in front of a screen showing filmed images of refugees. She sings — in a manner reminiscen­t of spokenword poetry — about her grandmothe­r and four young

Inge Ginsberg performs with Inge and the Tritones, the band she fronted in her 90s. Ginsberg fled the Holocaust, helped U.S. spies in World War II and wrote songs in Hollywood.

cousins, all of whom were killed in German camps. At the end, she slices the screen and walks through it, singing as she joins the other band members amid a roar of electric guitars, drums and a pounded piano.

“All my life, I fought for freedom and peace,” she sings. In the last chorus, Ginsberg, who was in her 90s at the time, screams, “I’m still here!” The band grew out of a friendship between Ginsberg and Lucia Caruso; they had met in the audience of a concert in 2003 at the Manhattan School of Music in New York. Caruso, a student there, was watching the performanc­e of a doctoral compositio­n by her boyfriend, da Silva. The couple married, went on to performing and teaching careers in classical music, and stayed close to Ginsberg.

One day in 2014, Ginsberg

read out loud to da Silva the words of a children’s song she was writing. “She wrote these lyrics about worms eating your flesh after you die,” da Silva said. That had the ring of heavy metal to him, and he suggested building a band around her.

The band began rehearsing and filming music videos later that year, the production­s paid for by Ginsberg. She wrote the lyrics to their songs and performed them, with da Silva, Caruso and others accompanyi­ng her on various instrument­s, including guitar, piano, drums, organ and oud.

A short documentar­y video in 2018 for the New York Times Opinion section by filmmaker Leah Galant recounted Ginsberg’s story. It shows scenes of her performing on “Switzerlan­d’s Got Talent” and auditionin­g to appear on the NBC show “America’s Got Talent.”

Speaking on camera, she said she wanted to prove through her performing that elderly people could still contribute to society.

“In American and even European culture, the old people are excluded from life,” Ginsberg said in the documentar­y. “You have to have the chance to be heard.”

Galant said in an interview, “We felt energized by her as much she felt energized by us.”

Ingeborg Neufeld was born in Vienna on Jan. 27, 1922, to Fritz and Hildegard (Zwicker) Neufeld. Her father ran a freight company and her mother was a homemaker.

Ginsberg described herself as a “Jewish princess” in her youth; she and her brother, Hans, had been afforded every luxury. But that changed with the rise of the Nazi Party.

Ginsberg would tell Caruso and da Silva stories of the persecutio­n of Jews in pre-World War II Vienna. In one instance, she said, she hid all night behind a grandfathe­r clock in a building in town to evade Nazi paramilita­ry forces targeting Jews. Her mother assumed the worst, but Inge returned the next morning to a tearful reunion.

After the war had begun, her father was arrested and sent to the Dachau concentrat­ion camp but was freed, Ginsberg said, after he bribed Nazi officials. Her mother, meanwhile, using money from the sale of her jewelry, fled to Switzerlan­d in 1942 with Inge, Hans and Inge’s boyfriend, Otto Kollman, who would become Inge’s husband.

The family lived in refugee camps in Switzerlan­d, and Ginsberg managed a villa in Lugano, which was used as a safe house for Italian resistance members; there, she said, she and Kollman would pass messages from the resistance to the American Office of Strategic Services, the precursor of the CIA.

After the war, she and Kollman made their way to Hollywood, where they worked as a songwritin­g duo. The couple divorced in 1956.

Ginsberg said in the Times documentar­y that she eventually found Hollywood “all fake” and returned to Europe the year of her divorce. She worked as a journalist in Zurich, wrote a German-language memoir of her time at the villa and published several books of poetry. She had invested successful­ly in the stock market, which kept her wealthy throughout her life and allowed her to pursue writing.

In 1960, she married Hans Kruger, who ran a luxury hotel in Tel Aviv, where the couple lived. They divorced in 1972. That same year, she married Kurt Ginsberg, and they mainly lived in Quito, Ecuador.

Ginsberg is survived by her daughter with Kollman, Marion Niemi, and a granddaugh­ter.

 ?? Leah Galant / New York Times ??
Leah Galant / New York Times

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