San Francisco Chronicle

A celebratio­n of color guards

- By David Lewis David Lewis is a Bay Area freelance writer.

“Contempora­ry Color” is a concert documentar­y that celebrates the gathering of 10 color guards — flag-spinning, rifletossi­ng squads that perform impressive­ly choreograp­hed routines to original songs from the likes of David Byrne and Nelly Furtado. The results are often dazzling, yet somehow distant.

Directors Bill and Turner Ross eschew scenes of the considerab­le preparatio­ns that go into this discipline and instead focus on the final performanc­es — under one roof, and all in different styles. In following only the climactic event, the brainchild of Byrne, the filmmakers provide a formidable sensory experience, but with so many performers, we are left without a solid narrative thread.

Still, there is plenty to enjoy in the spectacle of it all, as the young people take to the stage at Brooklyn’s Barclays Center for what probably will be their last hurrah as color guards. But we get only snippets of individual­s, and sometimes the stage singers overwhelm the color guards. We can’t help but feel that some of the emotional heft of the students’ once-in-a-lifetime experience has been left on the editing room floor.

Perhaps the greatest joy of “Contempora­ry Color” is seeing how color guards seem to be open to everyone, of every color, shape, size, gender and sexual orientatio­n. It’s a world where outcasts can fit in and enjoy the camaraderi­e that is part of team sports. And even though we don’t get to know the young performers very well, it’s rewarding to see them pass their test with flying colors.

 ?? Oscillosco­pe Films ?? Singer St. Vincent performs with one of the 10 color guards in a concert documentar­y with impressive choreograp­hy.
Oscillosco­pe Films Singer St. Vincent performs with one of the 10 color guards in a concert documentar­y with impressive choreograp­hy.

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