San Francisco Chronicle

Robust range of Pinot Noir in Highlands

Variety in Santa Lucia Range foothills tends to be richer, bolder than that found elsewhere in state

- By Bryce Wiatrak Bryce Wiatrak is a freelance writer. Email: travel@sfchronicl­e.com

“Have you ever been invited to a $250 lettuce tasting?” Gary Pisoni recounted asking his father. I had read of this conversati­on before, the one in which Gary persuaded his dad to replant part of their produce farm to wine grapes. Still, it was enchanting to hear the legend from the man himself, huddled against the blazing fireplace in his hillside cave like some Renaissanc­e raconteur.

With his jocular smile and gray curly locks, Pisoni can convince you that the incarnatio­n of the Santa Lucia Highlands, a premium region for collectibl­e Pinot Noirs, occurred with one comical but shrewd question.

The Santa Lucia Highlands emerge 15 or so miles southwest of Monterey Bay. They stretch another 17 miles above the Salinas Valley before meeting the Arroyo Seco appellatio­n. The vineyards blanket the foothills of the Santa Lucia Range, planted along a series of loamy alluvial fans trickling down from the mountain slopes. The morning sun greets the southeast-facing vines, followed by cooling winds and fog that make their way down from the Pacific. The entire region rests atop a bench, locally called the mesa (Spanish for table), at elevations of 200 to around 1,200 feet, dropping steeply to the valley below.

The Salinas Valley remains lettuce territory, its soil too fertile for quality grape growing. But just opposite the valley floor, the Gabilan Range makes a home to the Mount Harlan and Chalone AVAs, where Pinot Noir shows a profoundly different expression than it does in the Santa Lucia Highlands.

In truth, Pisoni wasn’t the first to bring the vine to this corner of Monterey County. Spanish missionari­es cultivated grapes in what is today the Santa Lucia Highlands as early as the late 18th century. When Pisoni began to plant Pisoni Vineyards in 1982, he already saw wine-growing neighbors. Rich and Claudia Smith pioneered the region’s modern era with the conception of their Paraiso Vineyards in 1973.

But today, Pisoni’s vineyards, as well as those owned by his business partner Gary Franscioni, serve as the focal points of the Santa Lucia Highlands. High school buddies, the Garys planted their aptly named Garys’ Vineyard together in 1997. Eleven years later they added the Soberanes Vineyard next door. Gary Franscioni also owns Rosella’s Vineyard, which surrounds his home, and the high-elevation Sierra Mar Vineyard at the rugged southern end of the region.

These four vineyard properties, as well as Pisoni Vineyards, are the names you’ll most likely encounter on single-vineyard wines from the Santa Lucia Highlands. Beyond the little fruit the Garys keep for their respective labels (Pisoni and Lucia for the Pisonis and ROAR for the Franscioni­s), most of the grapes find their way into the cellars of such illustriou­s clients as Kosta Browne, Peter Michael, Paul Lato and Siduri. These wineries are joined by a quorum of artisan producers both inside and outside the region whose work verifies the potential for tremendous, hearty Pinot Noir in the Santa Lucia Highlands.

Within the Santa Lucia Highlands alone, Pinot Noir can wear many masks. Speaking broadly, the wines coming from the northern tip offer a brighter, more red-fruited character. Rosewater, sweet spice and bing cherry pith are notes I continuall­y find myself writing for these wines grown closest to the ocean.

Traveling southward down the appellatio­n, Pinot Noir paints itself a few shades darker. Mark Pisoni, manager of his family’s eponymous vineyard at the region’s southern end, explains, “As the elevations pick up as you go south in the appellatio­n, you’re dealing with leaner soils. They tend to naturally have higher tannin levels.” These thinner, more granitic soils yield more austere wines with more robust flavor: smoky black cherry, with nuances of balsamic-soaked medicinal herbs.

Gary Franscioni also attributes this darkening spectrum of flavor to the way in which the fog rolls off the bay. During the growing season, the fog can take over an hour longer to reach the southern vineyards than the northern ones. “You start doing that for 90 days over the summer, and it adds up,” he says. The southern highlands, beaten by the sun, ripen more quickly and develop bigger, more robust flavors than their fog-shrouded neighbors to the north.

While the flavors may vary drasticall­y, Santa Lucia Highlands wines, more so than many other California Pinot Noir regions, are bound by a relatively narrow stylistic range. In general, producers of Santa Lucia Highlands Pinot Noir tend to favor richer, more hedonistic expression­s of the variety, often carrying higher alcohol levels than those from Santa Barbara, Sonoma or the Santa Cruz Mountains. California’s brilliant sun radiates through each ripe, fruit-forward drop.

That’s not to say, however, that these wines do not reflect a sense of place. They do. They just sing of their terroir loudly, rather than whisper. Gary Franscioni argues that, in fact, this robust style is more a product of their growing conditions than an aesthetic choice.

“What we look for at harvest is a balance of acid and sugar and flavor. But, sometimes before we can harvest, we have to wait for that acid to drop. We’re looking for that more than we are looking for sugar level. A lot of our picking decisions are based on flavor,” Franscioni explains.

With this approach, the hang time for Santa Lucia Highlands Pinot Noir can last several weeks longer than counterpar­ts in Sonoma or Santa Barbara. Harvest can occur as late as early October, and during this extended time sugars and potential alcohol will rise. But Franscioni is right: Almost none of these Pinots lacks acidity. A briny, oceanic salinity threads its way through and energizes each of these muscular wines.

Mark Pisoni notes that a balanced wine requires the synergy of much more than sugar-ripeness and alcohol level. “I think balance can be over a large spectrum, not just alcohol,” he says. “You’re looking at the wine as a whole. By looking just at one component — alcohol — you’re taking a simple view.”

If you’re more accustomed to tasting the earthy, ever-leaner Pinot Noirs coming out of Santa Rita Hills or far-coastal Sonoma, you may have to redefine what California Pinot Noir means when tasting from the Santa Lucia Highlands. But that’s also what makes these wines so exciting. They transcend the threshold of ripeness we imagine for Pinot Noir without sacrificin­g freshness. And they’re a whole lot tastier than lettuce.

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