San Francisco Chronicle

Harding sings dark songs of light

- By Aidin Vaziri Aidin Vaziri is The San Francisco Chronicle’s pop music critic. Email: avaziri@sfchronicl­e.com Twitter: @MusicSF

A lot of people are starting to talk about Aldous Harding. This makes the shy 26-year-old New Zealand singer-songwriter terribly uncomforta­ble. But with a ringing endorsemen­t from Lorde (the fellow Kiwi called her “the most interestin­g musician around”) and critical praise pouring in for her second album and 4AD record label debut, “Party” (produced by frequent PJ Harvey collaborat­or John Parish), Harding might need to get used to the attention. She talked to us from a stop in Brooklyn, N.Y., on her current tour. Q: You’re coming up on 27 — do you expect a major life change ahead with the whole Saturn return thing? A: I hadn’t even considered the whole thing. I have moments where I’m like, 27 is the time! Now that you mention it, it is happening that way. Sometimes I feel like I’m dying. I don’t know. We’ll see. It’s not until September. Q: You might come out the other side sounding like Gwen Stefani. A: I’ve already gone through my Gwen Stefani moment.

Q: Now you get to relive the most difficult moments of your life every night by performing “Party” on tour.

A: That’s not what it is about. With the first album, I didn’t have anything positive to say. With this one, I wanted to share the nice feelings I was having. Even the horrible songs, like “I’m So Sorry,” I wanted to remind myself that I had that conversati­on with myself about my buddy, the booze. I thought it was a nice way to admit that it’s something that will always be around. It comes from a much calmer place, even though I don’t know if people feel that. The content is quite sweet if you listen closely.

Q: You started playing a lot of these songs before “Party” was ever made. Do you still feel connected to them?

A: It’s not me being bored that I’m worried about. I want to make sure that I play good shows, and I give a song what it deserves. I want to play it like the first time even though it’s the 70th time. Knowing I can’t upsets me, and you have to accept that you have been playing them a long time, but I have to remember not everybody has heard them as much as I have.

Q: You have such a distinctiv­e sound. Is it a case of trying to sound like Rihanna and failing in the most epic way possible?

A: I don’t know that I’m trying to sound like anything in particular. Whether it’s done on purpose or when you’re trying for something or you’re not a particular­ly good guitar player there’s a nice balance there. Not knowing what you are doing can look quite powerful from the outside. You probably think you’re doing something completely different to how people feel. Q: You’re doing some interestin­g things with your voice on the record. Is it challengin­g to re-create it live? A: It’s not a challenge. I can go, “I need to make my voice sound like this!” And it will do it. I don’t have to practice them in front of the mirror or anything. The challenge is finding out how I want to perform these songs at a later time. I know I’ll always use my voice as an instrument when I feel it’s needed. I think it’s interestin­g. It could completely change. I’m dripfeedin­g the new sound and seeing if people are receptive to that. If they’re not, I’ll do it any way.

 ?? Tom Jamieson / New York Times ?? Aldous Harding will perform at the Swedish American Hall.
Tom Jamieson / New York Times Aldous Harding will perform at the Swedish American Hall.

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