San Francisco Chronicle

Satirist, activist mined civil rights battle for laughs

- By Clyde Haberman Clyde Haberman is a New York Times writer.

Dick Gregory, the pioneering satirist who transforme­d cool humor into a barbed force for civil rights in the 1960s, then veered from his craft for a life devoted to protest and fasting in the name of assorted social causes, died Saturday in Washington, D.C. He was 84.

Mr. Gregory’s son Christian Gregory announced his death on social media.

Early in his career Mr. Gregory insisted in interviews that his first order of business onstage was to get laughs, not to change how white America treated Negroes (the accepted word for African Americans at the time). “Humor can no more find the solution to race problems than it can cure cancer,” he said. Nonetheles­s, as the civil rights movement was kicking into high gear, whites who caught his club act or listened to his routines on records came away with a deeper feel for the nation’s shameful racial history.

Mr. Gregory was a breakthrou­gh performer in his appeal to whites — a crossover star, in contrast to veteran black comedians like Redd Foxx, Moms Mabley and Slappy White, whose earthy, pungent humor was mainly confined to black clubs on the chitlin circuit.

Though he clearly seethed over the repression of blacks, he resorted to neither scoldings nor lectures when playing bigtime rooms like the hungry i in San Francisco or the Village Gate in New York. Rather, he won audiences over with wry observatio­ns about the country’s racial chasm.

He would plant himself on a stool, the picture of insoucianc­e in a three-button suit and dark tie, dragging slowly on a cigarette, which he used as a punctuatio­n mark. From that perch he would bid America to look in the mirror, and to laugh at itself.

“Segregatio­n is not all bad,” he would say. “Have you ever heard of a collision where the people in the back of the bus got hurt?”

It was Mr. Gregory’s conviction that within a well-delivered joke lies power. He learned that lesson growing up in St. Louis, achingly poor and fatherless.

In 1962, Mr. Gregory joined a demonstrat­ion for black voting rights in Mississipp­i. That was a beginning. He threw himself into social activism body and soul, viewing it as a higher calling. Arrests came by the dozens.

Across the decades he went on dozens of hunger strikes, over issues including the Vietnam War, the failed Equal Rights Amendment, police brutality, South African apartheid, nuclear power, prison reform, drug abuse and American Indian rights.

Mr. Gregory moved to Chicago to build a comedy career in the late 1950s. There he met Lillian Smith, and they were married in 1959. They had 11 children, one of whom, Richard Jr., died in infancy.

 ?? Brent N. Clarke / FilmMagic 2016 ?? Comedian and civil rights activist Dick Gregory appears onstage in New York City in 2016. Mr. Gregory rose from an impoverish­ed childhood in St. Louis to become a celebrated satirist.
Brent N. Clarke / FilmMagic 2016 Comedian and civil rights activist Dick Gregory appears onstage in New York City in 2016. Mr. Gregory rose from an impoverish­ed childhood in St. Louis to become a celebrated satirist.

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