San Francisco Chronicle

Surfing’s best shots

- By David Lewis David Lewis is a San Francisco freelance writer.

“Take Every Wave: The Life of Laird Hamilton” doesn’t exactly wade deep into the psyche of the renowned surfer, but his spectacula­rly filmed exploits on the water are awfully fun to watch, even for those not immersed in the sport.

Director Rory Kennedy scores extensive interviews with Hamilton, whose surfboard innovation­s have allowed surfers to ride the biggest of waves. But her subject — still in great shape after almost five decades of abuse from the punishing waters — often remains inscrutabl­e, even in those infrequent moments when he talks about his marriage, his upbringing and his former surfing fraternity. Most of the revealing tidbits come from his wife, former volleyball player Gabrielle Reece, or from ex-pals who, unlike Hamilton, weren’t able to cash in on their surfing accomplish­ments.

Yet despite an aura of superficia­lity that hovers over this portrait of an athlete, “Take Every Wave” remains entertaini­ng because of Hamilton’s awe-inducing skill on the ocean, and his determinat­ion to ride the waves as long as his body will allow. This is a man who has an intimate relationsh­ip with the waters, perhaps more intimate than with most of the humans who surround him.

One distinctio­n for Hamilton is that he changed a sport even though he didn’t compete in it profession­ally. And we can’t help but be dazzled as we watch him conquer a massive “Jaws” wave in Maui and an even bigger wave in Tahiti. Kennedy saves the best for last, a beautifull­y photograph­ed drone shot of Hamilton riding the waves. We feel that we are right there with him, and for the first time, experience his enthrallin­g union with the waters.

 ?? Moxie Firecracke­r Films ?? Laird Hamilton reveals little of himself in the film.
Moxie Firecracke­r Films Laird Hamilton reveals little of himself in the film.

Newspapers in English

Newspapers from United States