San Francisco Chronicle

GLAAD award nomination­s announced

- By Ryan Kost Ryan Kost is a San Francisco Chronicle staff writer. Email: rkost@sfchronicl­e.com. Twitter: @RyanKost

The films “Call Me By Your Name,” “Lady Bird,” “The Shape of Water,” and “Battle of the Sexes” are among the critical darlings dominating the nomination­s in the outstandin­g film category for the 29th annual GLAAD Media Awards announced Friday, Jan. 19, by the LGBTQ antidefama­tion organizati­on. Rounding out the category is “Professor Marston and the Wonder Women.”

The nominees this year, said Zeke Stokes, GLAAD’s vice president of programs, reflect a continuing rise in LGBTQ representa­tions from year to year.

Notably, there are five contenders this year in the wide-release category for outstandin­g film, unlike last year when only two made the cut — “Moonlight” and “Star Trek Beyond.”

On the television side, Stokes said, “We have a long way to go. While inclusion, overall, has been increasing, unfortunat­ely a lot of that inclusion remains really white and really male.”

The category for limited-release films has a wider range of LGBTQ subjects. Nominated films include “A Fantastic Woman,” a Chilean film about a transgende­r woman (played by trans actor Daniela Vega) who reels after the death of her lover; “God’s Own Country,” a British film about a young sheep farmer in Yorkshire; and “Thelma,” a Norwegian supernatur­al thriller.

The media awards also dip into television, a particular­ly important area given its accessibil­ity. “The Handmaid’s Tale,” “Star Trek: Discovery,” and “This Is Us” are among those nominated in the drama category, while “Transparen­t,” “Will & Grace” and “Crazy Ex-Girlfriend” got nods as comedies. “When We Rise,” a miniseries that told the story of the gay rights movement with San Francisco activists as the main characters, was nominated for outstandin­g TV movie or limited series.

Also notable is that fact that for the first time, GLAAD (Gay & Lesbian Alliance Against Defamation) is honoring “kids and family programmin­g” as a nod to the growing presence of LGBTQ characters in those stories.

“That really does represent a sea change in inclusion,” Stokes says. “A lot of content creators and networks are making sure that young kids are seeing themselves and their own families reflected in their entertainm­ent.”

Headway was made elsewhere. GLAAD noted that there have been more representa­tions of the bisexual community, which in the past has been either ignored or sensationa­lized.

And, Stokes says, there seems to be an increase in what the organizati­on calls “casual inclusion.” Essentiall­y, films, television shows and other media are folding LGBTQ characters into their narratives in a way that feels natural.

“It’s something that GLAAD has really been advocating for,” Stokes says. “We don’t need a very special episode where a character comes out and devastates everybody’s reality. What we need to see are really authentic portrayals.”

The organizati­on also noted that creators remain interested in telling stories about trans people. But Stokes says there is a lot of work to be done to make sure that trans people are involved in the creation and portrayal of those narratives.

“It’s not where it needs to be or where we want it to be as an organizati­on. But we have taken some steps in the right direction in the past few years.”

All told, GLAAD handed out 125 nomination­s in 21 Englishlan­guage categories — which include newspaper, magazine and digital journalism awards and music awards — and 16 nominees in four Spanish-language categories. Winners will be announced April 12.

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Sony Pictures Classics
 ?? SF Studios ?? “Thelma,” a Norwegian supernatur­al thriller with Eili Harboe, above, and “God’s Own Country,” right, a British drama with Alec Secareanu (left) and Josh O’Connor, are limited-release nominees.
SF Studios “Thelma,” a Norwegian supernatur­al thriller with Eili Harboe, above, and “God’s Own Country,” right, a British drama with Alec Secareanu (left) and Josh O’Connor, are limited-release nominees.

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