San Francisco Chronicle

Creepy thrills rely on art, not budget

- By David Lewis David Lewis is a Bay Area freelance writer.

Crafty and mind-bending, “The Endless” is a highly effective psychologi­cal horror thriller in which two ex-cult members return to their apocalypti­c commune, only to get trapped into supernatur­al time loops that challenge their memories of the past.

It’s an almost impossible movie to describe; it has to be experience­d. And though every frame isn’t tidily wrapped up at the end — that was never the intent — “The Endless” gets into your head and keeps you alert for whatever abnormal turn comes next.

Justin and Aaron (played by impressive filmmakers Justin Benson and Aaron Moorhead) are two California brothers who fled a strange UFO cult a decade before the story begins. But their life on the outside has become dreary, and with the discovery of an odd videotape, they find themselves inexplicab­ly drawn back to the cult’s commune, where everyone seems happy and apparently hasn’t aged a day. The brothers begin to question why they ever ran away in the first place, but soon a series of bizarre events will help put that riddle to rest.

“The Endless” uses a minimum of special effects and creates tension the old-fashioned way: with solid performanc­es, nifty camerawork, smart direction and a memorable score. It’s a tribute to stars Benson and Moorhead, who combined to direct, write, edit and shoot the film, that their micro-budget project comes off more haunting than many big-studio production­s with 100 times (at least) the budget.

 ?? Well Go USA Entertainm­ent ?? Brothers Justin (Justin Benson, left) and Aaron (Aaron Moorhead) find themselves drawn back to their old UFO cult.
Well Go USA Entertainm­ent Brothers Justin (Justin Benson, left) and Aaron (Aaron Moorhead) find themselves drawn back to their old UFO cult.

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