San Francisco Chronicle

Short films pair well with ‘cool bars’

Oakland’s Drunken festival gets name from similar England event

- By David Lewis

Oakland cinephile Arlin Golden got a spirited idea last year when he was visiting Bradford, England, to attend a film festival that he had helped from afar by selecting its documentar­ies. The event had a catchy title — the Drunken Film Festival — so named because it used the British city’s pubs and breweries as screening venues.

“I was instantly hooked,” Golden said of his festival visit. “It made me think, ‘Well, why don’t I just do this in Oakland?’ We have cool bars, we have cool people, so why not? What else am I doing? I mean, a bunch of stuff, but I can do this, too.”

Not long after he got back to the Bay Area, Golden began biking around to nearby bars that might be appropriat­e for the Oakland version of the festival. Then he got the requisite film gear — including a projector and screen — that he could carry on his bike to each venue. The result of this quick turnaround is Oakland’s first Drunken Film Festival, a showcase of short films that will run Sunday, Oct. 7, to Oct. 12, and rotate each night to a new Oakland bar. All screenings are free, open to the public and don’t require any tickets.

“So if anyone shows up at one of our bars on a screening night not knowing the festival is taking place, they’ll instantly become a part of it,” Golden said. “Each bar is different, but my hope is that everyone there wants to take in some exciting new independen­t films.”

The bars participat­ing in the festival are the Layover (Sunday); Stay Gold Deli (Monday); Lost & Found (Tuesday); Telegraph Beer Garden (Wednesday); Eli’s Mile High Club (Thursday, Oct. 11); and Classic Cars West (Oct. 12).

Classic Cars West, a vintage-car dealership, art gallery and restaurant all rolled into one, will allow the festival to drape a tarp over its iconic wall mural — creating the biggest screen of the festival.

All the venues have offered not only their space but also their speakers, “which really helped me logistical­ly,” Golden said. “The layouts of the bars vary — some have indoor and outdoor spaces — but the center of attention will

definitely be on the films.”

Though the Drunken Film Festival certainly has a whimsical ring to it, Golden takes the programmin­g seriously. Yes, there will be some wacky and weird entries, but it’s a diverse lineup with some serious themes, too. One thing that almost all the films have in common: They’re on the short side — only a few exceed 20 minutes.

“There is such a wealth of creativity and innovation in short-form filmmaking that most rarely have the opportunit­y to see,” Golden said. “I want to re-create the feeling people had when they were kids and popped in a VHS of some cult classic for the first time and it opened their mind to a world of possibilit­ies.”

Though non-alcoholic beverages will be available, Golden expects Oakland’s Drunken Film Festival to have some drinking, of course, but nothing out of the ordinary. “I don’t know that there was

a lot of drinking (at the England festival), but I mean they’re bars! We want people to support our partner venues,” he said. “I think the nature of bars, too, is one of community and intermingl­ing, and I’m hoping that whoever attends any of our screenings feels that they’re welcome and part of a communal experience.”

 ?? Drunken Film Festival ?? A scene from “The Things You Think I’m Thinking,” set for the film festival.
Drunken Film Festival A scene from “The Things You Think I’m Thinking,” set for the film festival.
 ?? Drunken Film Festival photos ?? Cinephile Arlin Golden establishe­d Oakland’s Drunken Film Festival after helping program a similar event last year in Bradford, England. “I was instantly hooked,” Golden says.
Drunken Film Festival photos Cinephile Arlin Golden establishe­d Oakland’s Drunken Film Festival after helping program a similar event last year in Bradford, England. “I was instantly hooked,” Golden says.
 ?? Drunken Film Festival photos ?? “End of the Line” features a lonely man, played by Brett Gelman, who purchases a tiny man in a cage.
Drunken Film Festival photos “End of the Line” features a lonely man, played by Brett Gelman, who purchases a tiny man in a cage.

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