San Francisco Chronicle

S.F. Symphony puts fall schedule on ice

- By Joshua Kosman Joshua Kosman is The San Francisco Chronicle’s music critic. Email: jkosman@ sfchronicl­e.com Twitter: @JoshuaKosm­an

The San Francisco Symphony has canceled its entire fall season, as the COVID19 pandemic continues to decimate the performing arts landscape for 2020 in the Bay Area and nationwide. The cancellati­on, announced Thursday, June 18, by CEO Mark C. Hanson, comes on the heels of a similar announceme­nt by the San Francisco Opera.

Perhaps most painfully, it will have a heavy impact on plans for EsaPekka Salonen’s first season as the orchestra’s music director, including an opening festival with the eight musicians and polymaths he has tapped as “collaborat­ive partners.”

“We’re disappoint­ed, of course, but we understand the importance of not allowing live performanc­es during the pandemic,” Hanson told The Chronicle. “The Symphony’s priority remains the health and safety of our musicians and audience members.”

The decision to cancel inperson performanc­es through the end of December entails 61 performanc­es, including some holiday events that had not been publicly announced, said a Symphony spokeswoma­n. That comes on top of 77 spring and summer performanc­es that had already been called off.

Among the casualties of the fall cancellati­ons are a performanc­e of Bartók’s opera “Duke Bluebeard’s Castle,” a complete series of Beethoven’s piano concertos with conductor and pianist Rudolf Buchbinder, and the premiere of “Her Story,” Julia Wolfe’s cocommissi­oned oratorio about women’s suffrage.

Hanson said the Symphony had originally planned to reach a decision about the fall offerings in July but pulled the plug early to begin work on virtual programmin­g efforts.

“Our goal is to move beyond the disappoint­ment and to focus on alternativ­e programmin­g, to ensure that no one within or outside the organizati­on comes to believe we’re going into hibernatio­n,” he said. “We are going to remain as active, as vibrant, as visible an organizati­on as possible.”

He said that Salonen, who could not be reached for comment, shared the commitment to switching gears to online presentati­ons.

“EsaPekka is an eternal optimist who is innately curious about alternativ­e programmin­g ideas and about the combinatio­n of this centurieso­ld art form with current and yettobedis­covered technology,” Hanson said.

Also this week, Cal Performanc­es canceled all inperson events for its fall season because of concerns over the pandemic. The announceme­nt Wednesday, June 17, is in accordance with UC Berkeley’s new plans for the fall semester.

The canceled performanc­es include “Not Our First Goat Rodeo,” featuring YoYo Ma, Stuart Duncan, Edgar Meyer, Chris Thile and Aoife O’Donovan, which was slated to open the season on Aug. 20 at the Greek Theatre in Berkeley. “Frankenste­in,” a presentati­on by Chicago’s Manual Cinema, also got the ax, along with planned appearance­s by the Miami City Ballet, the Dhamaal Dancers and Musicians of India, Angélique Kidjo and the Vienna Boys Choir.

Executive and Artistic Director Jeremy Geffen said the organizati­on is working to develop alternativ­es, including plans to showcase some of the canceled work online. He said that performanc­es from January 2021 onward are still expected to take place as scheduled.

At the Symphony, Hanson declined to give an estimate of the organizati­on’s total losses due to the pandemic when asked about the financial impact of the cancellati­ons. Davies Symphony Hall has been dark since March 7, when Music Director Michael Tilson Thomas led a single performanc­e of Mahler’s Sixth Symphony.

In April, when the remaining spring and summer concerts were canceled, the organizati­on instituted acrosstheb­oard salary cuts averaging 25% for musicians, stagehands and staff. In addition, the Symphony has now eliminated 24 staff positions and instituted six and 12week summer furloughs for an additional 22 employees.

“Even when we thought the impact of this virus would be measured in weeks or months, rather than a year or more, our priority has been to safeguard the longterm as well as the shortterm health of the organizati­on,” Hanson said. “This is the most daunting challenge we’ve faced in our 109year history.”

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