Santa Fe New Mexican - CONNECT

The Tough Go Online

- BY PAMELA BEACH

Santa Fe’s economy, historical­ly dependent on tourist dollars, dried up significan­tly over the past year due to pandemic-induced quarantine­s and social distancing. The March 13, 2020, Pasatiempo calendar published a note on the front page, alerting readers to contact venues and businesses to confirm that events were still scheduled. A year later, 99 percent of the events listed in the calendar are virtual. To survive during these unpreceden­ted times, event venues, galleries, restaurant­s and other enterprise­s have increased their online presence to help offset monetary losses.

For instance, the Teatro Paraguas theater company utilizes Zoom to present one-act and spoken-word performanc­es for remote audiences to watch from the comfort and safety of their homes. According to Argos MacCallum, executive director of Paraguas, virtual performanc­es have been enthusiast­ically received.

“People have been donating more in the end-of-year donations as well as donations at each performanc­e,” MacCallum wrote in an email. In addition, the company has been able to hire actors from anywhere and has enjoyed an expanded audience (some from as far away as Wales). As for the future, MacCallum has doubts about continuing virtual experience­s after the pandemic ends. “I think Zoom theater is a form which will endure as a genre, sort of like the graphic novel or possibly melodrama,” he wrote, but “how much Paraguas will pursue Zoom theater after venues open again is not clear.”

The Lensic Performing Arts Center, which closed its doors early in 2020, continues to expand its free online offerings (lensic.org/lensic-online/). These include the Ghost Light Sessions, which are on-demand videos of local artists, such as violinist David Felberg and flamenco dancer La Emi, performing on stage in the darkened theater. “Restoring public events is obviously a priority, as our audiences are eager for the shared experience­s and the excitement of live performanc­e,” Lensic executive director Joel Aalberts noted in an email. “That said, our work during the pandemic has taught us a lot about using media to reach new and underserve­d audiences. I expect we will continue to expand this work long after our doors are reopened.”

AMP Concerts, a nonprofit events promoter, has posted virtual performanc­es on its website. These include Postcards from Santa Fe, one-song videos of local artists performing at iconic locations around town. AMP also

showcases New Mexico musicians, who have been hit hard by COVID constraint­s, in live-streamed performanc­es filmed at the Albuquerqu­e Museum in conjunctio­n with current exhibits.

All Santa Fe’s state museums and several local galleries have reopened their doors, yet they continue to maintain expanded digital options to improve and encourage visitor accessibil­ity. According to Warren Keating, president of the Santa Fe Gallery Associatio­n, many galleries and art institutio­ns in Santa Fe are seeing brisk sales during the pandemic even though foot traffic is significan­tly reduced. “Most of the more-establishe­d galleries in Santa Fe pivoted quickly, adding new features on their websites, like viewing rooms, virtual shows and appointmen­t visits,” Keating wrote in an email. “Many of these additions have proven over time to be great marketing tools that will last beyond the pandemic.”

Restaurant­s have certainly borne the brunt of social-distancing restrictio­ns. Last year, in accordance with state regulation­s, Santa Fe-area restaurant­s eliminated indoor dining, challengin­g owners to reinvent dining experience­s. Santa Fe Bite and Dr. Field Goods Kitchen posted limited menus for online or phone ordering, with easy curbside pickup. Paloma’s offered Saturday Suppers (three preset courses for a fixed price) to expand takeout options. Restaurant Martín’s Santa Fe Build-A-Bowl to-go option has been successful enough to continue through the end of March while the restaurant remains closed. Hannah d’Errico, manager of Arroyo Vino Restaurant & Wine Shop, said that the restaurant immediatel­y pivoted to to-go offerings when indoor dining was off the table. Due to amazing support from the community, that move was successful enough to keep all restaurant employees working over the past year. As of this writing, COVID cases are dropping in New Mexico and indoor dining has resumed at 25 percent capacity. No doubt grateful diners will return, with gusto, to enjoy meals at their favorite establishm­ents.

The Santa Fe Area Home Builders Associatio­n aggressive­ly switched to virtual platforms during the pandemic. In a recent text, Miles Conway, the associatio­n’s executive officer, said,

“We certainly raised the bar in 2020 with the virtual Parade

[of Homes] and built some new muscles for how our members showcase their work during this pandemic. In 2021 we are planning for an in-person parade this August. However, some of our builders actually prefer the virtual platform and see more value in that style of showcase for their businesses. In addition to the traditiona­l in-person event, we’re incorporat­ing the virtual element as a permanent element of our efforts to showcase our members’ trade craft.” The associatio­n will host a virtual Remodelers’ Showcase on May 15, supported by an in-person, outdoor Builders’ Rendezvous.

What’s emerged over the past year is a mix of digital experience­s augmenting a gradual return to on-site events.

The long view for promoting Santa Fe’s businesses may include continued investment in enhanced websites, e-commerce platforms and social media to meet the needs of consumers now accustomed to digital alternativ­es.

Pamela Beach is the calendar editor for “Pasatiempo,” the arts and entertainm­ent magazine of “The Santa Fe New Mexican.”

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 ?? NEW MEXICAN ?? Taos-based singer-songwriter Garry Blackchild performs during a Ghost Light Session at the Lensic Performing Arts Center last July.
NEW MEXICAN Taos-based singer-songwriter Garry Blackchild performs during a Ghost Light Session at the Lensic Performing Arts Center last July.

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