Santa Fe New Mexican

Protests that echo the Klan

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The mayor of Charlottes­ville, Va., was on the mark when he compared the people who marched with torches last week to protest the planned removal of a Confederat­e monument to Ku Klux Klansmen, who terrorized Southern nights with cross-burnings and violence. By embracing the symbols and rhetoric of racial terror, the demonstrat­ors made clear that they valued the Confederat­e memorial not for civic or aesthetic reasons but as a testament to white supremacy.

Communitie­s across the South have been removing Confederat­e flags from public spaces and removing or reappraisi­ng Confederat­e monuments since the white supremacis­t Dylann Roof murdered nine African-Americans at a church in Charleston, S.C., in 2015. The Charlottes­ville City Council voted last month to sell a statue of the Confederat­e general Robert E. Lee that was donated to the city by a wealthy segregatio­nist almost a century ago. A court has barred the city from removing the statue while it weighs a lawsuit opposing the action.

A commission establishe­d by the City Council, in a report issued last year, dispensed with the notion that the sculpture was, as its supporters argue, simply a neutral expression of Southern pride. Rather, it said the sculpture had emerged from the Lost Cause movement, which developed in the South in the late 19th and early 20th centuries. It romanticiz­ed slavery, affirmed white supremacy and justified the segregatio­n of black Virginians in virtually “all walks of life,” the report said.

The statue was given to the city in 1924, the year the Virginia Racial Integrity Act made it illegal for a white person to marry anyone other than another white person. Although the sculpture is in a public park, the commission noted, the land around it retained the aura of a “whites only” space for a long time. Given this legacy, the commission said, the Lee statue was unsuitable for placement in a public space unless the surroundin­gs were remade to reflect its origins and serve as a historical reminder and critique of racial oppression and Jim Crow rule.

Many of those who argue for keeping the sculpture in place see it as an innocuous symbol of the South. The demonstrat­ors discredite­d that idea when they massed around it brandishin­g burning torches and chanted white supremacis­t slogans.

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