Santa Fe New Mexican

Showtime’s ‘I’m Dying Up Here’ shows the dark side of making people laugh in 1970s L.A.

- By George Dickie

It’s the early 1970s and comedy in Los Angeles is king. And ruling over it with an iron fist on the Sunset Strip is one Goldie Herschlag. As played by Oscar winner Melissa Leo (“Frozen River,” “Treme”) on Showtime’s hourlong drama series “I’m Dying Up Here,” premiering Sunday, June 4, she’s the tough-talking, chain-smoking owner of Goldie’s, a comedy club for up-andcomers hoping to be discovered and maybe get on “The Tonight Show.” But that’s only if this hard-bitten mama bear thinks they’re ready to play the main room. “The club is called Goldie’s,” explains Leo, “and if the comics want to stand up and do comedy in her joint, there’s a certain rule she goes by and she does happen to have a particular­ly really good funny bone. Not that she’s funny, but she knows what’s funny. She knows what works. It doesn’t have to do with the race of the comic or the gender of the comic. She knows what’s funny and funny works. And so she’s gained a reputation around town that if you want a really good comic, you’ll probably come over to Goldie’s to find them.” Among the regulars are Cassie (Ari Graynor, “Mystic River”), a pretty, blond Texan with Santino,comic tongue;Dailya heritageRa­lphwith personalit­y;pothead“Vicean an Showa (Erik with comicedgy outsizedEd­gar “Mixology”),as Principals”),who Griffin,With talent fodderand style;and(Al uses AdamJon physique Madrigal,andTV for “Workaholic­s”),Bill his Stewart”),writera a his an (RJ (Andrew troubledhu­ngry Mexicanaci­dact; Cyler, and “The youngwho handyman.young Angarano,In by the Boston Africanday openingCla­rk doubles comics AmericanDu­ke) episode,as (Michaelarr­ive Goldie’scomictwo in untilonlyi­n L.A.a trafficto theyto learn stay can accidenthe’d withfind been regularthe­ir hours killed buddyafter work, on gang “The nailingat Goldie’sTonightit in his Show.”mournbig breakoneAs theof theirat the fallenbar, one brethren comic over wonders shots if the they funeral, should only bookto bea church correctedf­or by Goldie: “You’re in one.” “She’ll kind of morph into what she needs to be for the situation,” Leo says. “She’s canny and brave and courageous in a way, a woman alone doing what she’s doing at the time she’s doing it. I don’t think there’s another human being, never mind didn’t)youas the book whatearlyi­n stand-upThea world wouldn’tYou frontlineo­f part man Goldiehere serieshave­the wouldn’t withoutof or in comicssame stand-upwasthe woman,is have entertainm­entCalifor­nia.”based ‘70s, doing namehave what Comedy... doing comedy,. on investing(If in comedyby happenedth­e the you William Central.in amongJim doingthe has ’80s. Carrey,the Knoedelsed­erstand-upits look The executivew­hoof showa on cut ’70s the and certainlyh­is producersc­omedyStrip countsteet­h in club, thick side-burned,from cigarettet­he bell-bottom-jeanedmod smoke decor and to the the men. come Andoff as none particular­lyof the comics happy people.manyIt shouldof the also cast be– amongnoted that them Madrigal,– have background­sGriffin and in Santino stand-up, thus adding to the show’s authentici­ty. “It’s a hard, hard life to be expected to make everyone laugh all the time,” Leo says. “And most of them have that pressure on themselves as much as anything else, and it’s a complicate­d and dark personalit­y, in fact, that makes us laugh.”

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