Johnson turns lens on personal life
Photographers, amateurs get all access
LONG POND, Pa. — Armed with her Canon 1DX Mark II camera, Liz Kreutz felt like her heart was in her throat as Jimmie Johnson inched the Chevy Suburban toward the Homestead track wall as if he was racing for the championship.
Kreutz’s nerves heightened as Johnson took the photographer for a spin with his right hand on the wheel while he gestured with the left as he explained the physics of the car and track.
Kreutz, who’s had a front row seat shooting some of the biggest stars in sports, from Manny Pacquiao to Lance Armstrong, steeled herself from the seat and snapped away to get a candid look at NASCAR’s seven-time champion.
“He’s out for a Sunday ride and I’m gripping the side,” Kreutz said of her ride on the final 2016 race weekend. “But to be there with the No. 1 driver and have him just explaining the sport to me was an incredible experience.”
Johnson has opened the doors to his personal and professional life to select photographers for an all-access look at what drives the 41-year-old married father of two on race weekends. Johnson has let renowned photographers and amateurs chronicle his run toward NASCAR history from all angles: team meetings, family time, bike rides, and of course, a championship celebration.
Johnson hired Kreutz to shoot the 2016 championship race at Homestead when he tied Richard Petty and Dale Earnhardt with his seventh title. He stretched the project into this season and has had photographers snap away at Daytona, Talladega , Pocono, Sonoma and Indianapolis. The photographers help run Johnson’s social media accounts during select “takeovers.”
Johnson has some altruistic motives behind the project — he has asked three pro photographers (he’s looking for a fourth) to each choose an amateur to also shoot a race at some point this season. After the four amateur photographers have had a chance to attend and shoot a race, Johnson will select the one with the best image for a $10,000 grant.
He’ll need help from his wife, Chandra, and his two daughters to pick a winner. Johnson is torn on his favorite photo from the project (“Liz had a machine gun on her camera”), though he was partial toward a snapshot from photographer Danny Clinch. Clinch, a frequent Pearl Jam collaborator and the official backstage photographer for the Grammys since 2003, clicked with Johnson when they met at a Jack Johnson concert.
The champ invited Clinch to Colorado for a day before shooting the Brickyard 400 in Indy. Clinch caught a shot of the family walking on a street; oldest daughter Evie with a bright smile on her dad’s shoulders as she covers his eyes; Chandra clutching Lydia upside down and around the waist.
“That’s the chaos of Team Johnson,” Johnson said, laughing.
Kreutz’s favorite photo is one she didn’t even take at Homestead. A fellow photographer persuaded her to join Johnson in victory lane for the souvenir snap. She later received a print in the mail signed by Johnson.
“Liz, the good luck charm. Jimmie Johnson.”