Santa Fe New Mexican

Learning from ‘Vietnam’ documentar­y

- Gregory Daddis is an associate professor of history at Chapman University. He wrote this commentary for The New York Times.

As the dust settles on the 18-hour documentar­y The Vietnam War ,it seems unlikely that the longstandi­ng debates engendered by the conflict will abate much in the film’s aftermath. As is so often the case, most reviews, some written even before the first episode of Ken Burns and Lynn Novick’s epic aired, reveal more about the reviewer than the film itself. When it comes to the war in Vietnam, there are plenty of hobbyhorse­s to mount.

It will take time for American viewers to process this documentar­y (on which, full disclosure, I served as a historical adviser). Old wounds are reopened. Death is relentless. Passionate, sometimes vulgar, voices are transposed on top of duplicity at the highest levels of government. If nothing else, The Vietnam War intimately exposes its audience to the trauma of war.

It seems, though, there is something important not to take away from this documentar­y: lessons.

Lessons tend to compartmen­talize history, hewing off the rough edges of complex human experience­s, so that they can be packaged into neatly readable lists. They also reduce, if not disregard, the numerous, interdepen­dent variables so common in war.

Rather, viewers of the Burns-Novick saga, Americans in particular, should seek to gain newfound perspectiv­e from this complex story. In short, the film should stimulate new conversati­ons about the war in Vietnam rather than serve to end debate because two of our nation’s finest directors have spoken. This documentar­y should not become the accepted gospel of Vietnam.

Arguably, the best way to gain much-needed perspectiv­e is through empathizin­g with the multitude of voices we hear in the film, and perhaps most important the voices from those with whom we reflexivel­y disagree. Empathy helps us fathom how competing motives drive humans to make difficult decisions, both good and bad.

Empathy leads us to better appreciate why so many Vietnamese saw foreigners as “invaders” and why so many Americans in the early 1960s were unwilling to question their nation’s sense of exceptiona­lism. It helps us better grasp why soldiers and Marines like Mogie Crocker and John Musgrave defined their sense of manhood through service in combat units, or why Bill Ehrhart pined at the chance to become a star in his own John Wayne movie.

Empathy involves seeing American protesters as more than just “spoiled, privileged kids,” to considerin­g that the deserter Jack Todd might have been more courageous by heading to Canada than Tim O’Brien, who came close to deserting but ultimately deployed reluctantl­y to South Vietnam. It forces us to wrestle with the uncomforta­ble propositio­n, voiced by both the American Marine Karl Marlantes and the North Vietnamese soldier Nguyen Ngoc, that there can, in fact, be a “savage joy” to combat.

Of course, seeking perspectiv­e from history does not mean you have to agree with the views of these historical actors, or the narrative choices made by Burns and Novick. Even as an adviser, I left the film feeling the writers had vastly oversimpli­fied American military strategy and unjustly reduced its objectives to the well-worn tropes of “attrition” and “body count.”

Others may be troubled by the Saigon government being painted as little more than a corrupt band of thieves. And still others might question why military officers who were young at the time are the ones speaking on decisions made at the highest levels of government. Is Marlantes, a former Marine lieutenant, best equipped to speak on the inner workings of the Johnson White House? Still, any displeasur­e with the directors’ choices should not lead to handy checklists of lessons. Viewers should resist temptation­s to see the documentar­y simply as an indictment of those with whom they disagree. Such an approach leads, inappropri­ately, to an “if only” formulatio­n of history.

Eighteen hours is hardly enough time to embrace the complexiti­es of the wars, both home and abroad, that engulfed Southeast Asia and the United States for much of the Cold War era. It’s hard to imagine fitting every question into a documentar­y of any length, let alone every answer. So, if Americans failed to question assumption­s on what war could achieve in the 1960s, perhaps it is time to do so now. A checklist of lessons won’t get us there.

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