Santa Fe New Mexican

A museum director who wears pantaloons

New head of El Rancho de las Golondrina­s does his part to bring the past alive at living history site

- By Sami Edge

Daniel Goodman still remembers his fourth-grade class field trip to the Missouri Botanical Garden, where he felt compelled to step in as an impromptu tour guide.

“I could tell my teacher didn’t know what was going on,” he said, “and like a precocious kid, I piped up and started telling everybody the history of the [founder’s] house.”

That might have been the moment when he first considered museum work as a career. “Or maybe I’d just seen Indiana Jones,” he said.

Growing up in St. Louis, he also spent a lot of time in museums during his childhood — “It was free entertainm­ent for me and my brother.”

Goodman, 38, named director of El Rancho de las Golondrina­s in October, after serving as interim director of the living history museum since June, has never worn a fedora and tromped around in jungles, exploring ancient temples, like his childhood hero. But occasional­ly

he does don the costume of a “1700s average New Mexican,” complete with boots, a vest and pantaloons.

“You have to be engaged with what’s happening out here,” he said of the living history ranch, where staff and volunteers demonstrat­e 18th- and 19th-century lifeways and traditions. “You can’t be distant from it.”

He started at Las Golondrina­s as the curator of collection­s in 2012. His primary focus in museum and historical site work has been in curation. He’s also worked as the collection­s manager for the Indiana State Museum and Historic Sites, and as the registrar for the New Mexico Museum of Art.

As a curator at Las Golondrina­s, he said, his goal was to help visitors see historical figures as people just like them, and to help guests understand ties between history and modern life.

“I think that a lot of people have a perception of museums as being the white palace on a hill — inapproach­able, sterile, stuffy. I think that intimidate­s some people,” Goodman said. “I like everything to feel very approachab­le, very honest, everyday — and maybe even bring in a bit of humor in some way.”

To Goodman, an entertaini­ng exhibit might be something like a historical collection of chamber pots.

Though he’s never curated such a display himself, his graduate school thesis was on a collection of archaeolog­ical material — everything from guns to hot sauce bottles to pottery — excavated from tenement house privies in St. Louis.

At Las Golondrina­s, he said, he tries to incorporat­e that kind of lightheart­edness into staff dynamics.

“This job is supposed to be fun,” Goodman said. “You don’t get into the arts to make a lot of money.”

Sean Paloheimo, director of operations at the ranch, said Goodman has taken a hands-on role, doing everything from walking around in costume to fixing technical issues in the front office and gathering employees to celebrate birthdays.

“What’s so great about Dan is just seeing him out and about and interactin­g so much with our volunteers and staff,” Paloheimo said. “It just feels like he’s cultivatin­g this family environmen­t, where everyone on staff really cares about each other and wants to work as a team to get things done.”

Moving forward, Goodman hopes to maintain what he calls a “legacy of high-quality programmin­g” at Las Golondrina­s and to initiate new programs. This year, his staff hosted a first-time food festival and Halloween event called Spirits of New Mexico’s Past.

Goodman also wants to forge new fundraisin­g connection­s, build on partnershi­ps with museums and other institutio­ns around Santa Fe, and continue to encourage families and community members to come explore Las Golondrina­s.

Too often, he said, he hears people in Santa Fe say, “I love that place, but I was last out there in the fourth grade.”

He wants locals to view the living history ranch as a resource, a place in the country where they can spend an afternoon, have a picnic and learn some hands-on history.

Goodman also would love to see the status of El Rancho de las Golondrina­s elevated to a national level, recognized as something like the “Williamsbu­rg of the West.”

“This is a real ranch, where history happened,” he said. “Real people lived and died here, and they have stories to tell. It’s the closest thing we’re going to get to time travel.”

Moving forward, El Rancho de las Golondrina­s Director Daniel Goodman hopes to maintain what he calls a ‘legacy of high-quality programmin­g’ at Las Golondrina­s and to initiate new programs.

 ?? SAMI EDGE/THE NEW MEXICAN ?? Daniel Goodman, formerly the curator of collection­s and interim director at El Rancho de las Golondrina­s, was installed as the fourth director of the living history museum in October.
SAMI EDGE/THE NEW MEXICAN Daniel Goodman, formerly the curator of collection­s and interim director at El Rancho de las Golondrina­s, was installed as the fourth director of the living history museum in October.
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