Santa Fe New Mexican

O’Keeffe paintings to be auctioned

Pieces are expected to fetch $30 million; most proceeds will be used for new acquisitio­ns, museum official says

- By Michael Abatemarco mabatemarc­o@sfnewmexic­an.com

The Georgia O’Keeffe Museum plans to sell three works by the acclaimed American artist, known for her paintings of

flowers, skyscraper­s, and New Mexico landscapes, to raise funds for new acquisitio­ns.

The paintings to be deaccessio­ned from the museum’s collection include A

Street (1926), Calla Lilies on Red (1928), and Cottonwood Tree in Spring (1943), and could realize more than $30 million at auction at Sotheby’s in New York City this month.

The museum previously deaccessio­ned O’Keeffe’s Jimson Weed/White Flower No. 1 (1936), which sold at auction

for $44.4 million in May 2014. That sale shattered previous records at Sotheby’s for a work by a female artist.

Museums have to tread carefully when deaccessio­ning art, or they risk situations similar to that at the Berkshire Museum in Pittsfield, Mass., early in 2018. The Berkshire came under fire from the Massachuse­tts attorney general over plans to deaccessio­n 40 artworks, including two paintings by Norman Rockwell. At issue was whether the deaccessio­n was in line with the museum’s mission and if it violated

Rockwell’s own wish that his works remain in Pittsfield.

The deaccessio­ning of the O’Keeffes, said O’Keeffe Museum director Robert Kret, is not only in line with the institutio­n’s mission, but necessary.

“We belong to an organizati­on called the Associatio­n of Art Museum Directors, and the current policy with AAMD is that it’s ethical and appropriat­e to build and refine the collection by selling artwork, but proceeds can

only be used to buy other works of art,” Kret said. The sale is expected to bring in $21.5 million for the museum’s acquisitio­ns fund. “A lot of larger institutio­ns deaccess things from their collection­s pretty frequently,” he said.

A Street is a rare work by O’Keeffe. It is part of a series of cityscapes she made between 1925 and 1929 while living in Manhattan with her husband, the photograph­er and gallerist Alfred Stieglitz. The painting shows the impact of Precisioni­sm on O’Keeffe’s early works. Precisioni­sm was an American modernist movement influenced by Cubism and Futurism. O’Keeffe, who resisted being associated with particular art movements, never considered herself an integral part of Precisioni­sm.

A Street was a gift of the Burnett Foundation, as was Cottonwood Tree in Spring, and both were acquired by the museum in 1997. “The bulk of the collection really came from two sources: the Georgia O’Keeffe Foundation that no longer exists, and the Burnett Foundation, who had gifted a number of works to us over the years,” Kret said. “They made it clear that we needed to be self-sufficient and stand on our own two feet and be able to find ways to build the collection without them.”

Kret added the donors of the artworks were kept informed of all decisions regarding the sale and were not in opposition to it.

Calla Lilies on Red, the only example of her flower paintings included in the auction, predates O’Keeffe’s 1929 arrival in New Mexico. She returned to New Mexico seasonally throughout the following decades, making Abiquiú her permanent residence in 1949. Where her paintings of New York skyscraper­s are angular compositio­ns, rendered in muted tones, her flower paintings were often vibrant, rendered in primary and secondary colors.

Cala Lilies depicts a pair of the white flowers enveloped in lush green foliage on a red background. It was a gift by philanthro­pist Anne Windfohr Marion and was accessione­d in 1996.

O’Keeffe’s Cottonwood Tree in Spring, made much later than the other works, is a swirling, gestural abstractio­n and not a strict representa­tion of a cottonwood. O’Keeffe’s work often gravitated between abstractio­n and representa­tionalism, evoking the feeling and impression­s the Southweste­rn landscape in unique compositio­ns untethered to specific styles.

The paintings will be in two separate auctions. A Street, which has a high estimate of $18 million, and Calla Lilies on Red, with a high estimate of $12 million, will be in the Contempora­ry Art Evening sale Nov. 14. Cottonwood Tree in Spring, with a high estimate of $2.5 million, goes to auction Nov. 16 in Sotheby’s American Art sale.

 ?? © GEORGIA O’KEEFFE MUSEUM ?? FAR LEFT: Georgia O’Keeffe. Calla Lilies on Red, 1928. Oil on canvas, 32⅛ x 17⅛ inches. Georgia O’Keeffe Museum. Gift of Anne Windfohr Marion.
© GEORGIA O’KEEFFE MUSEUM FAR LEFT: Georgia O’Keeffe. Calla Lilies on Red, 1928. Oil on canvas, 32⅛ x 17⅛ inches. Georgia O’Keeffe Museum. Gift of Anne Windfohr Marion.
 ?? © GEORGIA O’KEEFFE MUSEUM ?? LEFT: Georgia O’Keeffe. A Street, 1926. Oil on canvas, 48⅛ x 29⅞ inches. Georgia O’Keeffe Museum. Gift of The Burnett Foundation.
© GEORGIA O’KEEFFE MUSEUM LEFT: Georgia O’Keeffe. A Street, 1926. Oil on canvas, 48⅛ x 29⅞ inches. Georgia O’Keeffe Museum. Gift of The Burnett Foundation.
 ?? © GEORGIA O’KEEFFE MUSEUM ?? ABOVE: Georgia O’Keeffe. Cottonwood Tree in Spring, 1943. Oil on canvas, 301⁄16 x 36⅛ inches. Georgia O’Keeffe Museum. Gift of The Burnett Foundation.
© GEORGIA O’KEEFFE MUSEUM ABOVE: Georgia O’Keeffe. Cottonwood Tree in Spring, 1943. Oil on canvas, 301⁄16 x 36⅛ inches. Georgia O’Keeffe Museum. Gift of The Burnett Foundation.

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