Reiner was beloved creator of ‘Dick Van Dyke Show’
NEW YORK — Carl Reiner, the ingenious and versatile writer, actor and director who broke through as a “second banana” to Sid Caesar and rose to comedy’s front ranks as creator of The Dick Van Dyke Show and straight man to Mel Brooks’ 2000 Year Old Man, has died. He was 98.
Reiner’s assistant Judy Nagy said he died Monday night of natural causes at his home in Beverly Hills, Calif.
He was one of show business’s best-liked men. The tall, bald Reiner was a welcome face on the small and silver screens: In Caesar’s 1950s troupe, as the snarling, toupee-wearing Alan Brady of The Dick Van Dyke Show and in such films as The Russians Are Coming, the Russians Are Coming and It’s a Mad, Mad, Mad, Mad World.
In recent years, he was part of the roguish gang in the Ocean’s Eleven movies starring George Clooney and appeared in documentaries, including Broadway:
Beyond the Golden Age and If You’re Not in the Obit, Eat Breakfast.
Tributes poured in, with Van Dyke calling Reiner “kind, gentle, compassionate, empathetic and wise,” and Clooney saying he made “every room he walked into funnier, smarter, kinder.”
Betty White described herself as privileged to work with Reiner and “heartbroken.” Steve Martin said goodbye to “my greatest mentor in movies and in life. Thank you, dear Carl.” Billy Crystal said “all of us in comedy have lost a giant,” and Sarah Silverman said “his humanity was beyond compare.”
Reiner directed such films as Oh, God! starring George Burns and John Denver; All of Me, with Martin and Lily Tomlin; and the 1970 comedy Where’s Poppa? His books include Enter Laughing, an autobiographical novel later adapted into a film and Broadway show; and My Anecdotal Life, a memoir published in 2003. He recounted his childhood and creative journey in the 2013 book, I Remember Me.
But many remember Reiner for The Dick Van Dyke Show, one of the most popular TV series of all time and a model of ensemble playing, physical comedy and timeless, good-natured wit. It starred Van Dyke as a television comedy writer working for a demanding, eccentric boss (Reiner) and living with his wife (Mary Tyler Moore in her first major TV role) and son.
“The Van Dyke show is probably the most thrilling of my accomplishments because that was very, very personal,” Reiner once said. “It was about me and my wife, living in New Rochelle and working on the Sid Caesar show.”
The pilot, written by Reiner, starred himself as Rob Petrie, and aired in July 1960. When the show was reworked (CBS executives worried Reiner would make the lead character seem too Jewish), Van Dyke was cast and the program ran from 1961 to 1966. One famous fan, Orson Welles, was known for rushing to his bedroom in the afternoon so he could be near a TV when the show was on.
“Although it was a collaborative effort,” Van Dyke later wrote, “everything about the show stemmed from his [Reiner’s] endlessly and enviably fascinating, funny, and fertile brain and trickled down to the rest of us.”
The storyline had Petrie as the head writer for The Alan Brady Show, a comedy-variety series not unlike Your Show of Shows, in which Reiner, as Brady, was the egocentric star. Petrie’s fellow writers were character actors Morey Amsterdam as Buddy Sorrell and Rose Marie as Sally Rogers.
It was an early parody of the Caesar show, which would later be dramatized in the film My Favorite Year and Neil Simon’s play Laughter on the 23rd Floor.
Besides acting in and producing the Van Dyke series, Reiner wrote or co-wrote dozens of episodes. Although the show was the best of good clean fun, it wasn’t clean enough for network censors. Reiner often battled network officials over the sleeping arrangements of Rob and his wife; the Petries slept in twin beds. He wanted them to sleep in a double bed.
Reiner joined the classic comedy revue Your Show of Shows in 1950 after performing in Broadway plays. Much of Reiner’s early work came as a “second banana” — although, as Caesar once put it, “Such bananas don’t grow on trees.” He performed in sketches — satirizing everything from foreign films to rock ‘n’ roll — and added his talents to a writing team that included Brooks, Simon, Woody Allen and Larry Gelbart.
“As second banana,” he told TV Guide, “I had a chance to do just about everything a performer can ever get to do. If it came off well, I got all the applause. If it didn’t, the show was blamed.”