Santa Fe New Mexican

Authentic voices necessary for Santa Fe to move forward

- BRIAN FISHBINE Brian Fishbine, Ph.D., is executive producer of the documentar­y Veiled Lightning about the protests of Fiesta de Santa Fe. He lives in Los Alamos.

Iapplaud State Historian Robert Martinez’s My View (“History is too complex for a monument,” June 23). In the midst of pulling down statues and obelisks, he calls instead for honest talk about racism, colonialis­m and conquest. However, past attempts to do so have failed miserably, in my view. I agree with Martinez: Now is the time to renew the conversati­on. But this time, the voices of the important stakeholde­rs who have been marginaliz­ed in the past must finally be heard.

In 1973, a group of Native leaders silently protested the depiction of conquest at Fiesta de Santa Fe. Ever since, the Native community has sought redress over Santa Fe’s portrayal of its past, but change has been slow to come. For example, Elena Ortiz, of Ohkay Owingeh Pueblo, has complained about Fiesta and related matters to various political leaders for decades, and her writing on this and related topics has often appeared in The

New Mexican. However, despite her obvious authority and commitment, she has been routinely excluded from groups officially tasked to examine cultural cartograph­y, truth and reconcilia­tion.

Moreover, roundtable symposiums at the New Mexico History Museum have received scant mention in the press, despite providing valuable examinatio­ns of the community’s schisms. For example, at one 2017 symposium, the grandfathe­r of Lightning Boy — former Pojoaque Gov. George Rivera’s son, a hoop dancer who died tragically at 8 years old — brought the audience to tears as he spoke of the mixed heritage of his family. His was an authentic voice as close to the problem as is humanly possible. His audience should have been much wider. Tellingly, leaders from local civic groups declined to participat­e in that symposium, despite being invited.

Santa Fe cannot fix these problems if other authentic voices — such as those of Jennifer Marley (San Ildefonso), Jessica Montoya (former Santa Fe Fiesta

princesa), Lee Moquino (Santa Clara), Gomeo Bobelu (Zuni Pueblo) and Bob Haozous (Warm Springs Chiricahua Apache) — continue to be excluded from the conversati­on. Not until Marley’s arrest at the 2018 Entrada protests did the city finally agree to some reform by institutin­g a “replacemen­t event” for the Entrada. Even so, only men received credit for the resolution despite the fact that women such as Marley and Montoya clearly spearheade­d the movement to abolish the Entrada. The exclusion has been sexist as well as racist.

This is not an issue about symbols made of stone or marble — which will finally crumble. This is about human memory and civilizati­on, which is far more durable and valuable. If marginaliz­ed voices continue to be excluded from the conversati­on, a full and satisfacto­ry resolution of these vexing, centuries-old problems can only be delayed.

This is not an issue about symbols made of stone or marble — which will finally crumble. This is about human memory and civilizati­on, which is far more durable and valuable.

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