Winnie the Pooh stars in R-rated slasher film
Copyright on beloved kids’ book has expired, allowing anyone to use character
NEW YORK — The Hundred Acre Wood has seen some pretty unsettling things over the years. A honey jar shortage. Rather blustery days. The omnipresent threat of a Heffalump.
But in Winnie the Pooh: Blood and Honey, a new microbudget R-rated horror film, Pooh wades into far darker territory than even Eeyore could have ever imagined. After 95 years of saying things like “A hug is always the right size,” Pooh — newly freed from copyright — is now violently terrorizing a remote house of young women.
Countless cherished characters have passed into public domain before, but perhaps never so abruptly and savagely as Pooh. Pooh, Piglet, Kanga, Roo, Owl, Eeyore and Christopher Robin all became public domain on Jan. 1 last year when the copyright on A.A. Milne’s 1926 book, Winnie-the-Pooh, with illustrations by E.H. Shepard, expired. Just a year later, Pooh and Piglet can now be found on a murderous rampage in nationwide movie theaters — a head-spinning development that’s happened faster than a bear could say “Oh, bother.”
Depending on how you look at it, Winnie the Pooh: Blood and Honey is either a crass way to capitalize on a beloved bear or an ingenious bit of independent filmmaking foresight. Either way, it’s probably a harbinger of what’s to come.
In the next 10 years, some of the most iconic characters in pop culture — including Bugs Bunny, Batman and Superman — will pass into public domain, or at least their most early incarnations. Some elements of Pooh are still off-limits, like his red shirt, since they apply to later interpretations.
Many have next Jan. 1 circled. That’s when the original version of Mickey Mouse, from Steamboat Willie, becomes public domain. It will be open season on the face of the Walt Disney Co. — or at least that early whistling variety of Mickey.
Pop culture, as a concept, was born in the 1920s, meaning many of the most indelible — and still very culturally present — works will fall into public domain in the coming years. There will be all kinds of new and unlikely contexts for some of these characters. Some could be wonderful, some schlocky. But Winnie the Pooh: Blood and Honey may just be a taste of what’s in store.
“When Superman and Batman fall into the public domain, there’s going to be some wild films, I’m sure of it,” says Winnie the Blood and Honey writer, director and co-producer Rhys Waterfield. “There’s going to be so many different and cool unique iterations coming off that. I might do one.”
Though made for less than $100,000, Winnie the Pooh: Blood and Honey will open Friday on some 1,500 screens in North America, an unusually wide release for such a little-funded movie. It’s already made $1 million in Mexico and has many more international territories booked.