German Oscar film ‘All Quiet’ confronts horrors of wartime
“All Quiet on the Western Front,” Germany’s entry at the Academy Awards, shows the horrors of World War I from the unique perspective of the nation that triggered and lost two world wars.
The Netflix film enters the March 12 ceremony with nine nominations, including best picture and international film (a category it is expected to win). It tells the heart wrenching story of a 17-year- old German solider deployed to the trenches of France, where he and his comrades experience first-hand how their initial patriotic euphoria of war turns into desperation and fear as they fight for their lives.
Unlike many American movies that show the world wars as a heroic epic, “All Quiet on the Western Front” depicts the pain and loss of people suffering and dying in combat. It is narrated from the point of view of those who are responsible for starting the war and eventually losing it.
“An American war film can be about pride and honor, because America liberated Europe from fascism,” German director Edward Berger said in a recent interview.
Germans could never make such a movie, he added.
“We made the film from a place of the heritage of war, of the guilt of war, of bringing terror into the world, of the shame about it, and the responsibility towards history,” Berger said.
The movie has an eerie timeliness as young European men are again killing each other in trenches after Russia invaded Ukraine last year.
“All Quiet on the Western Front” is based on the world-renowned 1929 bestseller of the same name by Erich Maria Remarque. Generations of German teenagers have read the novel in high school to teach them about the visceral pains of war.
A 1930 adaptation of the novel by American filmmakers won two Academy Awards, including the ceremony’s equivalent of the best picture prize.
Netf lix’s adaptation was released in October and has already seen success on multiple levels. It won seven awards at last month’s EE BAFTA Film Awards, including the influential ceremony’s best picture honor. It has, since its release, been among the most watched non-english films on Netflix in the U.S., according to the streaming service.
One reason for the film’s big success may be its unusual, grim perspective on war, which may be surprising for some American viewers, Berger surmised.
In Germany, where critics were less enthusiastic and complained about historical inaccuracies and the film’s lack of complexity compared to the original novel, it still was a No. 1 audience hit in the first week after its release. Globally it has been among the top ten for 14 weeks so far.