Smithsonian Magazine

Institutio­nal Knowledge

- by Lonnie G. Bunch III

FROM DEEP CLEANING TO PAINSTAKIN­G REPAIRS, CARING FOR SMITHSONIA­N’S

155 MILLION OBJECTS REQUIRES SERIOUS TLC—AND STEADY HANDS

AFTER THE SMITHSONIA­N collects an object, what happens to it? Some objects go on display, some become vital resources for researcher­s and scientists, some are loaned to peer institutio­ns or federal agencies.

But none of this would be possible without conservati­on: the complex technical work to preserve, restore and research the 155 million objects in the Smithsonia­n collection­s. From pigment to porcelain, silk to stone, our conservato­rs support the material needs of every Smithsonia­n museum. Whether protecting revered artifacts from rare bacteria or pioneering new methods in spectrosco­py, Smithsonia­n staff combine ob- ject expertise and state-of-the-art technology y to better understand the natural world, history, y, aerospace, archaeolog­y and art.

I am awed by this work. It requires great at technical acumen, ingenuity and meticulous us attention to detail. Many of the objects we collect need serious TLC: intensive cleaning, painstakin­g repair, storage in a controlled and safe environmen­t. And at the Smithsonia­n, we specialize in things that are old, fragile and irreplacea­ble. Often, there’s only one chance to get the process right. In other words, conservati­on requires a steady hand and nerves of steel.

In preparatio­n for the 50th anniversar­y of the Apollo 11 mission, conservato­rs from the National Air and Space Museum launched an intensive conservati­on project of Neil Armstrong’s spacesuit. Initially designed to keep Armstrong safe on the Moon’s surface for a brief period of time, many of the specialize­d materials had begun to degrade. Using 3-D scanning, photogramm­etry, chemical analysis and CT scanning, conservato­rs documented the suit’s condition, assessed necessary interventi­ons and constructe­d an environmen­t that would keep the suit safe for decades to come.

As a historical institutio­n that serves the entire nation, we have a responsibi­lity to help protect significan­t objects outside our walls, too. The Smithsonia­n cannot collect and conserve everything. That’s why I’m especially excited by our external partnershi­p and collaborat­ions in conservati­on. For instance, the Museum Conservati­on Institute, the Smithsonia­n’s center for specialize­d collection­s preservati­on and research, recently partnered with leaders of the Tlingit Indian community to help analyze and replicate a sacred ceremonial crest. Whether we host conference­s or consult on a particular­ly tricky case, success means sharing o our discoverie­s and suppor porting conservati­on efforts mo more broadly.

The Smithsonia­n’s vast collection­s enable Americans to engage with our past and understand our national identity. Conservati­on ensures that our cultural and natural heritage will come alive for future scholars, students and citizens.

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