Sound & Vision

THE MARVELS

- RALPH POTTS

THE MARVELS begins with Carol Danvers, a.k.a. Captain Marvel, journeying to an anomalous wormhole linked to a Kree revolution­ary. While investigat­ing the strange phenomenon, her powers become inexplicab­ly entangled with super-fan Kamala Khan, a.k.a. Ms. Marvel, and Carol’s estranged niece, astronaut Captain Monica Rambeau. This unlikely trio must team up and work together to save the universe.

As a fan of 2019’s Captain Marvel, I was certainly eager to revisit this corner of the MCU. Unfortunat­ely, an overabunda­nce of narrative threads, odd tonal shifts and misplaced shtick result in a lackluster entry that many found disappoint­ing. The concept of having the three heroes join forces is fine, but the attempt to give them an equal share of the narrative pie is where things go awry. The lack of a well-drawn villain and a hurried runtime didn’t help matters. Hopefully, the next installmen­t—if there is one—gets things back on track.

This film is boldly colorful, relying on stylized visuals that employ stark contrast, varying chromatic elements and lots of CGI. The level of detail and emboldened chromatic highlights underscore the film’s thematic impact. High dynamic range plays a central role, via vibrant specular highlights, while mixed light/dark elements reveal appreciabl­e dimension in blacks and shadows, which provide lots of depth. There is some innate softening due to the extensive CGI, but it’s rarely depreciati­ng. Across the board, this presentati­on—with its level of detail, color depth and deep blacks— made for an enriching and engaging visual display.

The Dolby Atmos mix is solid, offering rich sonic clarity and clear dialogue reproducti­on. The detection of subtle background sounds, off-camera cues and spatial dimension within the acoustic environmen­t is excellent. The sound mix creates true immersion that serves the onscreen action. The music is spread effectivel­y across the soundstage, adding a natural depth to the orchestrat­ed elements of the track. The LFE channel is active, working in tandem with the rest of the system to convey the bass and impact associated with the action-based sequences.

I particular­ly enjoyed the soundtrack’s balance of atmosphere/discrete object placement, each complement­ing the source material and making for an entertaini­ng listening experience.

Bonus features include two excellent production featurette­s which offer insights from the cast/crew, along with deleted scenes, a gag reel and director’s audio commentary. A feature film Blu-ray and Movies Anywhere digital code complete the set.

The Marvels looks and sounds great on 4K disc although the movie itself is not akin to the level of superhero entertainm­ent we have come to expect.

 ?? ??
 ?? ?? STUDIO: Walt Disney, 2023 ASPECT RATIO: 2.39:1
HDR FORMAT: HDR10
AUDIO FORMAT: Dolby Atmos with Truehd 7.1 core
LENGTH: 105 mins., PG-13 DIRECTOR: Nia Dacosta STARRING: Brie Larson,
Iman Vellani, Teyonah Paris, Samuel L. Jackson, Zawe Ashton, Seo-joon Park
STUDIO: Walt Disney, 2023 ASPECT RATIO: 2.39:1 HDR FORMAT: HDR10 AUDIO FORMAT: Dolby Atmos with Truehd 7.1 core LENGTH: 105 mins., PG-13 DIRECTOR: Nia Dacosta STARRING: Brie Larson, Iman Vellani, Teyonah Paris, Samuel L. Jackson, Zawe Ashton, Seo-joon Park

Newspapers in English

Newspapers from United States